MEMF Workshop with David Hatcher
Workshop for voices and instruments at A=440 with David Hatcher.
Workshop for voices and instruments at A=440 with David Hatcher.
Bring vocal and instrumental Renaissance works to life in this ensemble performance workshop for winds – cornetts, curtals, recorders, sackbuts and shawms – and string players, with continuo very welcome for those who can supply their own instruments. Modern string, wind and brass instruments are also warmly invited, provided they are able to read concert-pitch...
Anthems and Madrigals by Dr Orlando Gibbons and his son, Christopher. The day will be hosted by James Geer, the LCC Music Director, with Colin Hughes on piano. The fee for the workshop, including tea, coffee and biscuits, is £26. To reserve your place, please email your name and voice part to Margaret at: margaretsh1943@gmail.com.
Come & Sing works by Dowland, Weelkes & Copriario with City Chamber Choir, led by Stephen Jones.
A party in Ausburg - music of the early 16th century German Town and Dance bands - a workshop for instruments at A=440 pitch.
Come and Sing/Play Handel: Dixit Dominus and C P E Bach: Magnificat with Director: Richard Roddis, Répétiteur: Michael Overbury, and Instrumental Specialist: Kelly McCusker.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Zoom Talk given by Patrick Craig on Orlando Gibbons and the Music of Westminster Abbey.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Mass settings by early Tudor composers based on Westron Wynde, including Taverner’s exuberant Gloria, Tye’s angelic Sanctus and Sheppard’s luminous Agnus Dei.
This Come & Sing day is part of Levens Choir's early preparations for performances of this sublime choral work in March, 2027, to celebrate its first performance 300 years ago. Levens' distinguished Music Director, Gawain Glenton,an early music specialist, will be leading the day. Refreshments and music scores (Barenreiter - we will be singing in...
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
Come and Sing Handel's Messiah with Nantwich Choral Society.
William Byrd and his Circle with Sally Dunkley.
The workshop features Bach’s Cantata Die Himmel erzählen die Ehre Gottes (BWV 76), part of the Leipzig Cantata Cycle which also enthralled last year’s workshop attendees, and extracts from the Bach motet Jesu, meine Freude (BWV 227). A wonderful way to fire up February by studying a Bach Cantata alongside the choir and singers from...
This workshop, led by Dr Christopher Roberts, will explore Zelenka’s Kyrie, Sanctus and Agnus Dei in D minor ZWV26 (c.1723) and Gloria in F major ZWV30 (1724), and is open to all singers, oboes, sackbuts, bassoon, strings (violins, violas, cellos, violone/double bass) and continuo players (theorbo, organ). Pitch A = 415.
The workshop will focus on the music of Giovanni Croce, a leading Venetian composer of his day. Open to all singers and cornetts, sackbuts, curtals/dulcians, recorders, viol and violin family, plucked continuo.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Spend the afternoon with Early music specialist, Scott Inglis-Kidger, who will lead you through a selection of Tallis’s sacred works written in the turbulent years following the English Reformation.
An Early Music Love Affair - a workshop for voices and instruments with Lisa Colton. Liverpool area.
What better subject could there be for St Valentine's Day than love - sacred and profane and all stages in between? Join EEMF in Beccles on February 14th for a workshop including Gabrieli's two-choir motet Diligam Te Domine, Andreas Hakenberger's rich 12-part setting of Vulnerasti Cor Meum, Cristofano Malvezzi's 15-part A Voi, Reali Amanti, and...
This workshop will introduce you to seasonal medieval chant (including the tract Jubilate Domino, and one of the Old Hispanic Lamentations chants), together with 13th-century polyphony. All voice parts welcome.
Non-residential study weekend directed by Philip Walsh.
Real Roots! Exploring the world of late 16th-century popular music. The core of the programme will consist of playing in a mixture of large and small ensembles, as well as a range of other options each day, including a focus on ensemble techniques, ornamentation and will hopefully also include some vocal sessions.
JS Bach: Choruses from the Christmas Oratorio with Philip Thorby, for singers and baroque orchestra (A=415).
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness.
El Parnasso Hyspano - indigenous Latin American music workshop for singers and continuo.
Members of the London Handel Orchestra, along with its Principal Conductor, Richard Gowers, will guide singers through some of Handel’s most radiant choral works and choruses from works performed across the Festival. Repertoire: Laudate pueri Dominum HWV 237 O come, let us sing HWV 253 Choruses from Saul and Ode for St Cecilia's Day
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Schutz: Psalmen Davids workshop with Bill Carslake.
Choruses from Dido and Aeneas (Purcell) for voices and strings.
Johann Sebastian Bach (1685-1750) - BWV 65 Sie werden aus Saba alle kommen - BWV 66 Erfreut euch, ihr Herzen (Choruses and chorales only) Directed by Scott Inglis-Kidger
Alonso Lobo ~ De lamentatione Ieremiæ Prophetæ Duarte Lobo ~ Missa pro defunctis 8 vocibus A week of study and rehearsal leading to a public performance in Cádiz.
Delve into music by Tim's favourite composer - JS Bach, together with other maestros of choral music in the impressive Grade 1 listed St Mary's Church in Whitkirk.
Prophecies and visions: chromatic music of the 1540s-1570s. Music by Lasso, Vicentino, Rore and Marenzio.
Mary, Mary, quite contrary - a workshop for singers and players.
Victoria Lamentations and Response + Surrexit - a workshop for voices with David Allinson. Didsbury, Manchester.
Polychoral Pentecost, for voices and instruments, directed by Mark Wilson.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led by experienced choral director, David Greenwood. For more information email: casterbridge.music.uk@gmail.com. Palestrina Missa Aeterna Christi Munera Byrd Ave Verum Redford Rejoice in the Lord Parry...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course led by Nicholas Shaw.
Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
Missa Ave Virgo Sanctissima by Gery de Ghersem, and other pieces from 17th century Iberia, a workshop for voices with Rory Wainwright Johnston. Preston.
Music for renaissance winds with Tim Bayley.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
!A la Batalla! workshop for voices with Greg Skidmore and Sue Addison. This workshop will include a mass by Victoria – details to be announced nearer the time.
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
Bristol's Early Music Festival, with concerts, exhibits, workshops, and more...
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited, finding great acclaim in music-loving courts. Open to singers of all ranges - soloists and ensemble voices - as well as lutenists, this course...
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Music Director: Tim Horton, Piano: William Munks. A choral workshop with free public performance.
Vivaldi’s Gloria workshop for voices and strings with Ben England. Wilmslow.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Workshop for singers with the theme 'Faith as Treason'.
Vocal and instrumental polychoral music with Peter Wendland.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
This course is based on the music of the generation that followed Adrian Willaert and preceded Claudio Monteverdi. Directed by Eamonn Dougan.
Polychoral music by Heinrich Schütz, workshop for voices and instruments with Peter Wendland. Lancaster.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Save the date for this Workshop for Voices and Instruments with Dr Stephen Bullamore. Music, subject to confirmation, to include large scale works for voices, strings, wind and brass at pitch A=440 by Giovanni Gabrieli (Venice), Heinrich Schütz (Dresden), Orazio Benevoli (Rome), Heinrich Biber (Salzburg), M.A Charpentier (Paris).
Vocal music by Edmund Hooper and his contemporaries, with Katy Silverman.
Workshop for singers and instrumentalists with David Hatcher, also includes BMEMF AGM.
Treasures of the Spanish Renaissance ~ the music of the golden century: Cristóbal de Morales, Tomás Luis de Victoria, Philippe Rogier, Juan de Esquivel and Alonso Lobo. Directed by Bill Carslake.
Workshop for voices and instruments, with Clare Griffel. Details TBC.
NORVIS is the full week-long early music summer school in County Durham which they are proud to describe as one of the UK’s longest-established and friendliest. They teach recorders, Baroque flutes, viols, lutes and early guitars, harpsichords and voices. Repertoire from early Renaissance to late Baroque.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, workshops, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Peter Wendland, Philip Thorby.
Workshop for voices and instruments with Stephanie Dyer. Chester.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Simon Harper tutors a workshop for singers on the theme of Saints and Angels, to include pieces by composers such as Victoria, Sweelinck, Weelkes and Philips. Further details to be confirmed.
Workshop for voices and instruments on Hans Leo Hassler, with Gawain Glenton.
Music from the Odhecaton workshop for voices and instruments with Lizzie Gutteridge. Bolton.
1535 – a year in the life of Pierre Attaingnant - a workshop for voices and instruments with Peter Syrus. Bramhall, Stockport.
Christmas Workshop for voices and instruments with Philip Thorby.