SWEMF Workshop: Chant with Tony Berridge
Crewkerne Methodist ChurchWorkshop covering Gregorian 4-line and neume notation with Tony Berridge.
Workshop covering Gregorian 4-line and neume notation with Tony Berridge.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
An opportunity to work on a piece of music with an internationally renowned musician in a friendly and supportive environment.
Come and join members of Bath Bach Choir in singing Bach’s cantata Die Elenden sollen essen (BWV 75), under the direction of David Hill, Musical Director of the Choir.
With this day of music for voices and instruments, David Allinson explores some of the sunniest music of the Renaissance: settings of texts such as Regina Cæli and Ave Maria.
Explore choral masterpieces, learn about their historical and musical contexts, and brush up on singing technique with a vocal expert.
The annual EEMF Epiphany party, this year slightly later than Epiphany. Philip Thorby will lead a wealth of festive music.
Three days of viol consort playing in a variety of group sizes. Tutors: Alison Crum, Peter Wendland.
For pre-formed chamber groups on period instruments. Tutors: Theresa Caudle, Mark Caudle, Claire Williams, Stephen Preston.
Recorders@Plymouth are back for their annual visit to Halsway Manor, offering an opportunity to explore the huge diversity of recorder orchestra repertoire.
Purcell Rejoice in the Lord Alway and Monteverdi Beatus Vir. Workshop with Ben England BEM, for SATB voices and strings. Pitch will be A=415.
Join Twickenham Choral for a workshop on Monteverdi’s Vespers of 1610 in preparation for their concert with His Majesty’s Sagbutts and Cornets.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
Cantata 61 Nun komm’ der Heiden Heiland. Cantata 182 Himmelskönig, sei willkommen.
Palestrina 500 and the glories of Rome - A Zoom talk by Patrick Craig. Details TBC.
Advanced.
Exploring the world of late 16th-century popular music, as heard in both court and country.
Laurie Stras of Musica Secreta leads this workshop for upper voices, all viols, lower pitch recorders and continuo. The workshop will introduce you to the fascinating record of the musical lives of Florentine nuns at the end of the Renaissance.
The Music of Thomas Tomkins – workshop for voices with Carys Lane.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness. Work at 415 or 440Hz, with availability of one harpsichord playable at either pitch, plus Higham’s transposable electric pianos. Tutors: Katharine May and Michael Sanderson.
Purcell with Benjamin Nicholas, for voices and baroque orchestra A=415.
Henry Purcell: King Arthur - A workshop for all voices and orchestral instruments.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Workshop for voices and instruments directed by Peter Wendland.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way.
Join David Allinson for a day exploring Palestrina’s music, in a programme which moves from the majestic to the intimate, from the contemplative to the joyful, and which avoids well-worn and obvious pieces.
Choruses from CPE Bach's Magnificat, Dona Nobis Pacem from JS Bach's Mass in B Minor - further details to follow.
This course, directed by Gabriel Díaz, will celebrate the music of Spain’s first great composer. It will be held in the monastery of San Bernardo, in the shadow of the Alhambra in Granada’s Albaicín. The central work is the mass that Morales based on Josquin’s chanson ‘Mille regretz’.
Plenty of opportunities to play at all levels of ability. Tutors: Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe, Evangelina Mascardi, Andrea Damiani.
Workshop for singers, led by Richard de Winter - songs from the Henry VIII manuscript.
Lenten Music – Workshop for Voices with David Allinson. Details TBC.
Johann Stadlmayr’s polychoral music for the Habsburg Courts - a workshop for singers and renaissance instruments with Gawain Glenton.
The aim of the day is to enjoy the rich and varied sonorities of a Renaissance Wind Band. Applications welcome from players of Renaissance wind instruments – shawms, sackbutts, cornetts, curtals, crumhorns, recorders, etc.
Missa Diligam Te Domine a 12 by Giovanni Valentini - Didsbury, Manchester area.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Palestrina workshop for voices and instruments, directed by David Allinson. Further details TBC.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, playing mainly in small groups. Tutors: Emma Kirkby, Alison Crum.
Workshop for singers with James Weeks. Repertoire: Sacred and secular works by Orlando di Lasso.
Music for the Chapel Royal (voices, strings, continuo), plus AGM (over lunch).
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Tutors: Emily Baines, Arngeir Hauksson (Amyas).
A joint NEEMF/ABCD workshop with Robert Hollingworth in Newcastle, exploring familiar and unknown music to encircle Palm Sunday.
George Parris will tutor this workshop, for voices and instruments, on Lamentations by Juan Gutiérrez de Padilla & López Capillas.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Ring in the Easter Weekend by joining with fellow singers to form the chorus of Vivaldi’s Gloria and Handel’s Coronation Anthems.
Perform Charpentier's sacred masterpiece Messe pour MrMauroy. Tutors: Miguel Jaloto, Nick Shaw, Kinga Gaborjani, Gail Hennessy, Judy Tarling.
Music will be taken from 'The Oxford Book of Tudor Anthems' and 'The Oxford Book of English Madrigals'.
A course directed by Patrick Craig in the historic Pembrokeshire port, centred on the six-part Requiem of the Portuguese composer Manuel Cardoso (c. 1566-1650), interspersed with funerary motets by other Portuguese composers
A workshop for voices and instruments with Greg Skidmore (I Fagiolini) - voices, and Sue Addison (His Majestys Sagbutts and Cornetts) - instruments. Music will depend on the number of singers (especially lower voices) and instrumentalists applying and will be decided upon nearer the time. Pitch is A=440.
Workshop for voices and instruments with Nancy Hadden, details TBC.
Intermediate and Upper Intermediate.
Workshop for instrumentalists, followed by a short concert. Repertoire: Harmonice Musices Odhecaton.
Join the Croydon Bach Choir for an exhilarating workshop under the expert guidance of Music Director, Tim Horton. Open to singers of all levels who can follow a score.
Workshop for voices with Rory McCleery. Details TBC.
JS Bach Cantata 118: O Jesu Christ, mein’s lebens Licht. JS Bach Cantata 146: Wir müssen durch viel Trübsal. JS Bach Motet BWV 230: Lobet den Herrn, alle Heiden.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
A workshop led by Robert Hollingworth, on the 4-choir Missa Benevola, by the 17th-century Franco-Italian composer Orazio Benevoli. More details and booking information to follow.
The music of Johannes Prioris, Palestrina and Josquin, for voices, viols, lower recorders and sackbuts. Lancaster.
Baroque Chamber Music Day with Victoria Helby, details TBC.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West and Gareth Wilson.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. Tutor: John Rowlands-Pritchard.
Workshop for voices and instruments on a mass by Escobar, led by Richard MacKenzie, details TBC.
A course directed by Rory McCleery in a former monastery, now a small hotel, on the Adriatic coast of Italy. The repertoire is centred on the larger-scale music of the greatest composers of Spain’s Siglo de Oro: Guerrero, Lobo, Morales and Victoria.
Workshop for Singers: Palestrina Missa Laetatus sum a8 (and its source motet) with David Allinson.
Celano Mass in luna - Chester area.
Exploring national styles in suites and concertos by Purcell, Campra, Corelli, Vivaldi and Fasch. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
Four days of viol consort playing in a variety of group sizes with other players of an advanced and upper-intermediate level. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland.
A scholarly exploration of the life and music of Thomas Morley - a workshop for voices with Will Dawes and Katie Bank.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Come and sing Bach: Mass in B minor choruses with Goldsmiths Choral Union choir, conducted by Jack Apperley.
Gibbons Verse Anthems for voices and instruments, directed by Bill Hunt. Further details TBC.
Workshop for singers and instrumentalists with Patrick Craig. Venue and repertoire to be confirmed.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
A course directed by Bill Carslake, with repertoire drawn from the larger-scale works in one of the most important sources of Tudor church music, the Baldwin Partbooks.
This residential course is for singers and players of Renaissance instruments and has been running for many years.
Workshop in Cambridge with David Allison. Further details to follow.
The theme for 2025 is Visiting Vienna: Exploring Music at the Habsburg Court.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Philip Thorby, Peter Wendland.
The music of Lusitano and other Portuguese composers.