Renaissance Polyphony
Benslow Music Benslow Lane, Hitchin, HertfordshireGlorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West and Gareth Wilson.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West and Gareth Wilson.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants.
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Musical Director: David Ogden.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. Tutor: John Rowlands-Pritchard.
A course directed by Rory McCleery in a former monastery, now a small hotel, on the Adriatic coast of Italy. The repertoire is centred on the larger-scale music of the greatest composers of Spain’s Siglo de Oro: Guerrero, Lobo, Morales and Victoria.
Exploring national styles in suites and concertos by Purcell, Campra, Corelli, Vivaldi and Fasch. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
Four days of viol consort playing in a variety of group sizes with other players of an advanced and upper-intermediate level. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland.
Chalemie's 25th Summer School in Early Music, Dance, Period Costume Making and Commedia. Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
A course directed by Bill Carslake, with repertoire drawn from the larger-scale works in one of the most important sources of Tudor church music, the Baldwin Partbooks.
Chamber Weekender for Upper Voices, exploring Pergolesi’s Stabat Mater, in its original setting for two vocal lines. This exquisite, haunting rendering of the Marian hymn captures Mary’s deep sorrow at the foot of the cross. Giovanni Battista Pergolesi (1710–1736) composed this masterwork shortly before his death at the age of 26. Directed by Scott Inglis-Kidger.
This residential course is for singers and players of Renaissance instruments and has been running for many years.
Orlando Gibbons and the music of Westminster Abbey. This course, directed by Patrick Craig explores anthems by three towering musicians of Westminster Abbey, focussing on Orlando Gibbons who died in 1625 together with choral masterpieces by Robert White and Henry Purcell.
The 53rd NORVIS summer school - a week-long early music summer school in County Durham.
The group will teach two courses: Vocal Ensembles - a course designed to improve ensemble singing skills. Participants will be divided into small groups, normally with just one or two voices per part, and will explore a wealth of 16th and early 17th century gems. Sing with Stile - singing alongside members of Stile Antico,...
Assisi 2025 – Palestrina, Prince of Music, with Musical Director Rory McCleery.
An increasingly popular course for those interested in Baroque performance practice using modern instruments.
For competent singers, viol and recorder players, covering music c1450-c1650.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Philip Thorby, Peter Wendland.
Join Zarek Trio in a course focused on the baroque trio sonata.
The Historically Informed Summer School - where folk, traditional and early music meet.
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Repertoire includes works by Cipriano De Rore, Jacquet De Mantua, and Claudio Monteverdi.
Chamber choir and consort singing of madrigals and Partsongs.
The Linarol Consort's Renaissance Viol and Recorder course is for experienced viol and recorder players with an interest in improving their technique on Renaissance instruments and in reading from facsimile. Tutors: David Hatcher and Alison Kinder, assisted by Claire Horacek and Timothy Lin.
An opportunity for singers and continuo players to explore Purcell's solo songs and ensemble works in detail with Emily Owen and Satoko Doi-Luck.
Internationally acclaimed conductor Andrea Brown will direct another splendid program of Venetian music.
Discover the exquisite world of early music in Singing Baroque: From Monteverdi to Bach, with Jonathan Peter Kenny.
This course, directed by Rory Wainwright Johnston, celebrates the musical achievements of renaissance Florence, both by its native composers and those drawn by the city’s dazzling éclat.
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited. Open to singers of all ranges as well as lutenists. Facilitators: Emma Kirkby, Florian Franke & Sam Brown.
A friendly introduction for flute, lute and cello players to the rich but sometimes forbidding world of baroque chamber music.
This course offers viol players the chance to explore consort repertoire from the viol's Golden Age and to improve their technique along the way. Composers studied will include Jenkins, Purcell, Holborne, Lawes and Coperario.
Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
For centuries Christmas and the surrounding seasons have inspired composers to new heights of invention. The repertoire chosen for this course will reach across the ages: from the eternal beauty of the Tudor church right up to the twenty-first century.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.