SEMF Workshop: Palestrina with David Allinson
Bosham Village Hall ChichesterPalestrina workshop for voices and instruments, directed by David Allinson. Further details TBC.
Palestrina workshop for voices and instruments, directed by David Allinson. Further details TBC.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, playing mainly in small groups. Tutors: Emma Kirkby, Alison Crum.
Music for the Chapel Royal, for voices, strings, and continuo, led by Christopher Roberts. NWEMF AGM over lunch.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Tutors: Emily Baines, Arngeir Hauksson (Amyas).
George Parris will tutor this workshop, for voices and instruments, on Lamentations by Juan Gutiérrez de Padilla & López Capillas.
This year LHF is presenting the festival’s first ever Come and Play, a full-day workshop led by Steven Devine and Kinga Ujszászi for those interested in period instruments and historically informed performance techniques.
Perform Charpentier's sacred masterpiece Messe pour MrMauroy. Tutors: Miguel Jaloto, Nick Shaw, Kinga Gaborjani, Gail Hennessy, Judy Tarling.
Suitable for musicians and dancers who would like to learn Medieval music and dance.
Two parallel, friendly courses for players at any level, though not beginners.
A workshop for voices and instruments with Greg Skidmore (I Fagiolini) - voices, and Sue Addison (His Majestys Sagbutts and Cornetts) - instruments. Music will depend on the number of singers (especially lower voices) and instrumentalists applying and will be decided upon nearer the time. Pitch is A=440.
Workshop for voices and instruments with Nancy Hadden, details TBC.
Intermediate and Upper Intermediate.
Workshop for instrumentalists, followed by a short concert. Repertoire: Harmonice Musices Odhecaton.
The music of Johannes Prioris, Palestrina and Josquin, for voices, viols, lower recorders and sackbuts. Lancaster.
Baroque Chamber Music Day (A=415) with Victoria Helby, for one-to-a-part singers as well as instrumentalists.
Ben England will direct music by Purcell for singers, strings, and continuo at baroque pitch (A=415).
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West and Gareth Wilson.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants.
Workshop for voices and instruments on a mass by Escobar, led by Richard MacKenzie, details TBC.
The ‘Full Moon’ Mass – an exquisite Italian rarity from the mysterious Giuseppe Corsi da Celano, for voices and instruments.
Exploring national styles in suites and concertos by Purcell, Campra, Corelli, Vivaldi and Fasch. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
Four days of viol consort playing in a variety of group sizes with other players of an advanced and upper-intermediate level. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland.
Gibbons Verse Anthems for voices and instruments, directed by Bill Hunt. Further details TBC.
Workshop for singers and instrumentalists - Francesc Valls, Missa Scala Aretina, with Patrick Craig.
Gibbons Verse Anthems workshop for voices and strings with Clare Griffel - details TBC.
Schein’s Banchetto Musicale – a workshop with Alison Kinder.
This residential course is for singers and players of Renaissance instruments and has been running for many years.
The 53rd NORVIS summer school - a week-long early music summer school in County Durham.
An increasingly popular course for those interested in Baroque performance practice using modern instruments.
For competent singers, viol and recorder players, covering music c1450-c1650.
The theme for 2025 is Visiting Vienna: Exploring Music at the Habsburg Court.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Philip Thorby, Peter Wendland.
Join Zarek Trio in a course focused on the baroque trio sonata.
The Historically Informed Summer School - where folk, traditional and early music meet.
The Linarol Consort's Renaissance Viol and Recorder course is for experienced viol and recorder players with an interest in improving their technique on Renaissance instruments and in reading from facsimile. Tutors: David Hatcher and Alison Kinder, assisted by Claire Horacek and Timothy Lin.
Workshop for Voices and Instruments with Philip Thorby - details TBC.
Workshop for singers and instrumentalists, led by Trouvere (Gill Page and Paul Leigh) and Richard de Winter. Ludus Danielis - The Play of Daniel. Details TBC.
An opportunity for singers and continuo players to explore Purcell's solo songs and ensemble works in detail with Emily Owen and Satoko Doi-Luck.
Polychoral music for voices and instruments with Stephanie Dyer - details TBC.
Renaissance Italian canzonas for viols and recorders (A=440).
Two day event in Thaxted Church with George Parris. Heinrich Schütz Schwanengesang for voices and instruments.
Vivaldi Gloria with Tutor Ben England - details TBC.
A friendly introduction for flute, lute and cello players to the rich but sometimes forbidding world of baroque chamber music.
Female Composers of 17th Century Italy with Emily White, for singers and instrumentalists.
Philip Thorby will be the musical director of this wonderful workshop, which will mark the 540th anniversary of the death of the great Andrea Gabrieli, composer and first organist at St Mark's in Venice from 1566 until his death in 1585. We will explore some of Andrea's great twelve-part works, including the psalm setting, `Benedicam...
This course offers viol players the chance to explore consort repertoire from the viol's Golden Age and to improve their technique along the way. Composers studied will include Jenkins, Purcell, Holborne, Lawes and Coperario.
Palestrina 500 - Sale, Manchester.
Renaissance Playing Day (A=440), for one-to-a-part singers as well as instrumentalists.
Come and discover Medieval music with Mary Mohan, Jude Rees and Leah Stuttard. 2025’s focus will be Adam de la Halle.
Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
Music for voices and instruments - Leckhampton, Cheltenham.
Valls Missa Scala Aretina with Patrick Craig.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.