MEMF Workshop with David Hatcher
Workshop for voices and instruments at A=440 with David Hatcher.
Workshop for voices and instruments at A=440 with David Hatcher.
Bring vocal and instrumental Renaissance works to life in this ensemble performance workshop for winds – cornetts, curtals, recorders, sackbuts and shawms – and string players, with continuo very welcome for those who can supply their own instruments. Modern string, wind and brass instruments are also warmly invited, provided they are able to read concert-pitch...
A party in Ausburg - music of the early 16th century German Town and Dance bands - a workshop for instruments at A=440 pitch.
Come and Sing/Play Handel: Dixit Dominus and C P E Bach: Magnificat with Director: Richard Roddis, Répétiteur: Michael Overbury, and Instrumental Specialist: Kelly McCusker.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
This workshop, led by Dr Christopher Roberts, will explore Zelenka’s Kyrie, Sanctus and Agnus Dei in D minor ZWV26 (c.1723) and Gloria in F major ZWV30 (1724), and is open to all singers, oboes, sackbuts, bassoon, strings (violins, violas, cellos, violone/double bass) and continuo players (theorbo, organ). Pitch A = 415.
The workshop will focus on the music of Giovanni Croce, a leading Venetian composer of his day. Open to all singers and cornetts, sackbuts, curtals/dulcians, recorders, viol and violin family, plucked continuo.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
An Early Music Love Affair - a workshop for voices and instruments with Lisa Colton. Liverpool area.
What better subject could there be for St Valentine's Day than love - sacred and profane and all stages in between? Join EEMF in Beccles on February 14th for a workshop including Gabrieli's two-choir motet Diligam Te Domine, Andreas Hakenberger's rich 12-part setting of Vulnerasti Cor Meum, Cristofano Malvezzi's 15-part A Voi, Reali Amanti, and...
Real Roots! Exploring the world of late 16th-century popular music. The core of the programme will consist of playing in a mixture of large and small ensembles, as well as a range of other options each day, including a focus on ensemble techniques, ornamentation and will hopefully also include some vocal sessions.
JS Bach: Choruses from the Christmas Oratorio with Philip Thorby, for singers and baroque orchestra (A=415).
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness.
El Parnasso Hyspano - indigenous Latin American music workshop for singers and continuo.
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Schutz: Psalmen Davids workshop with Bill Carslake.
Choruses from Dido and Aeneas (Purcell) for voices and strings.
Mary, Mary, quite contrary - a workshop for singers and players.
Polychoral Pentecost, for voices and instruments, directed by Mark Wilson.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
Music for renaissance winds with Tim Bayley.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
Bristol's Early Music Festival, with concerts, exhibits, workshops, and more...
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited, finding great acclaim in music-loving courts. Open to singers of all ranges - soloists and ensemble voices - as well as lutenists, this course...
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Vivaldi’s Gloria workshop for voices and strings with Ben England. Wilmslow.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Vocal and instrumental polychoral music with Peter Wendland.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
Polychoral music by Heinrich Schütz, workshop for voices and instruments with Peter Wendland. Lancaster.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Save the date for this Workshop for Voices and Instruments with Dr Stephen Bullamore. Music, subject to confirmation, to include large scale works for voices, strings, wind and brass at pitch A=440 by Giovanni Gabrieli (Venice), Heinrich Schütz (Dresden), Orazio Benevoli (Rome), Heinrich Biber (Salzburg), M.A Charpentier (Paris).
Workshop for singers and instrumentalists with David Hatcher, also includes BMEMF AGM.
Workshop for voices and instruments, with Clare Griffel. Details TBC.
NORVIS is the full week-long early music summer school in County Durham which they are proud to describe as one of the UK’s longest-established and friendliest. They teach recorders, Baroque flutes, viols, lutes and early guitars, harpsichords and voices. Repertoire from early Renaissance to late Baroque.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, workshops, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Peter Wendland, Philip Thorby.
Workshop for voices and instruments with Stephanie Dyer. Chester.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Workshop for voices and instruments on Hans Leo Hassler, with Gawain Glenton.
Music from the Odhecaton workshop for voices and instruments with Lizzie Gutteridge. Bolton.
1535 – a year in the life of Pierre Attaingnant - a workshop for voices and instruments with Peter Syrus. Bramhall, Stockport.
Christmas Workshop for voices and instruments with Philip Thorby.