Dowland 400 workshop for voices, lutes, viols, recorders and other appropriate softer instruments with Lynda Sayce. Exploring some of Dowland's most famous and lesser known works, ranging through all of his song collections. Pitch A440.
Praise and Prayer - a day for voices and instruments exploring texts on the theme of praise and entreaty, led by Ali Kinder.
15th century popular songs - a workshop for voices and plucked strings (A=440) with Leah Stuttard.
Summer School for Enthusiasts of Early Music, both instrumentalists and singers, offering full board or daily attendance. Spread over 6 days the course is ably led by David Hatcher and David Allinson, allowing participants to enjoy a high standard of music making.
The Song of Songs: sacred love songs by Palestrina, Lassus, L’Héritier, Gombert and others. For Voices and Viols. Spend time with like-minded musicians, and develop your skills under the guidance of a world-class team of tutors: course director and vocal tutor Clare Wilkinson, vocal tutors Carys Lane, Giles Underwood and Nicholas Hurndall Smith, and viol...
The Baroque course will focus on Purcell’s semi-opera Dioclesian. Applications are invited from dancers, proficient singers and confident players of gut-strung Baroque instruments, with Baroque bows, bass viol, violone, recorder, baroque flute, oboe, bassoon, lute family and harpsichord/organ. Pitch: A=415.
Polyphonica are delighted to be returning to Northampton to deliver the annual Polyphonica workshop day again in August 2026. Suitable for mixed ability players but not complete beginners.
NORVIS is the full week-long early music summer school in County Durham which they are proud to describe as one of the UK’s longest-established and friendliest. They teach recorders, Baroque flutes, viols, lutes and early guitars, harpsichords and voices. Repertoire from early Renaissance to late Baroque.
Courses available in choral singing, vocal ensembles, solo singing, baroque orchestra, baroque chamber music, renaissance ensembles and singing, harpsichord and organ. Course tutors include Robert Hollingworth and I Fagiolini, The Lyons Mouth, James Gilchrist, Steven Devine, Gail Hennessy, Gavin Kibble, The Brook Street Band, The City Musick, Jane Chapman & David Titterington.
For competent singers, viol and recorder players, covering music c1450-c1650. Instruction in choral/solo singing, viol and recorder playing, lute, plus vocal technique and various consorts. Tutors: Deborah Catterall, Elizabeth Dodd, Philip Gruar, Richard MacKenzie, Michael Piraner.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, workshops, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Peter Wendland, Philip Thorby.
The course offers inspiration and guidance to both singers and players of baroque music from an expert team of leading specialists in historical performance.
Now in its 16th year, this international summer school explores common grounds between early, folk and traditional music. All singers and instrumentalists welcome. Classes for lute/theorbo, viols, recorders, renaissance wind, early brass, Baroque strings & continuo. Especially welcoming strong singers (potential soloists). Rich programme of music marking anniversaries of de Lalande, Cavalli, Weelkes and Dowland,...
Discover the beauty and genius of Bach’s Cello Suites and improve your cello playing in this relaxed course with tutor Jenny Curtis.
Benevoli’s 4-choir Missa Dum Complerentur and the Palestrina motet on which it is based. A workshop for voices and instruments with Robert Hollingworth.
A glorious three-day extravaganza dedicated solely to enjoying medieval music. This year’s Medieval Music in the Dales explores repertoires from the medieval Margins - geographically, culturally and socially.
Renaissance ‘Back-to-School’ – Music for Learning & Scholarship, a workshop for voices and instruments with Stephanie Dyer.
Pentecostal Polychoral Music - workshop for voices and instruments at A440 with Mark Wilson.
Feast of Fools - a workshop for singers and all instrumentalists, led by Dr Leah Stuttard.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Polychoral Pentecost, for voices and instruments, directed by Mark Wilson.
Banbury Early Music Festival is for early music fans and newcomers alike, to come and participate in inspiring workshops, listen to world class concerts, leaf through a myriad of music and try out early instruments until their heart's content!
The Linarol Consort's Renaissance Viol and Recorder course is for experienced viol and recorder players with an interest in improving their technique on Renaissance instruments and in reading from facsimile. Tutors: David Hatcher and Alison Kinder, assisted by Claire Horácek and Timothy Lin.
John Hancorn will conduct choruses from Samson and Saul for singers and instrumentalists at A440. Further details later.
This course will provide a rare opportunity to play in a pure cornett & sackbutt ensemble; famous for its noble sound and rich sonorities and an endangered species in need of protection! This course offers a fabulous opportunity to indulge yourself in a soundworld where blend, balance and tuning will be the prime objectives.
Music from the Odhecaton workshop for all instrumentalist with Lizzie Gutteridge.
Large-scale music by Hassler for voices and instruments, with Gawain Glenton. A joint event put on by TVEMF and EEMF. Details TBC.
German double-choir music of the late Renaissance and Early Baroque time A workshop for singers, recorders (4 and 8 foot), viols, sackbut, cornett, curtal, baroque violin / cello, led by Peter Wendland.
Discover the joy of playing Baroque trio sonatas from across Europe in this insightful new course led by experienced musicians from ZAREKTrio, and enjoy a concert from the trio as part of your course fee.
Workshop for voices and instruments with Andrea Brown - details TBC.
This course, taught in informal masterclass style, provides an opportunity to try some Baroque repertoire on the harpsichord, as a way of gaining more insight into historical style.
TVEMF Renaissance Day - a day of small chamber groups, for cornetts, sackbuts, curtals, recorders, viols, lutes, keyboards and other appropriate instruments, plus one-to-a-part singers with good sight reading, organised by Victoria Helby
Explore some of the most intriguing string music of the baroque era in this course focusing on the 17th century - the age of ‘wonder and delight’ in the arts, in which the ability to astonish was the hallmark of every great musician - guided by baroque violinist and director of the highly acclaimed Monteverdi...
The London International Festival of Early Music 2026.
Welcoming back Philip Thorby to lead this workshop. Details TBC.
Dive into the rich and transportative sound of the viol and improve your ensemble’s playing in this inspiring course with expert coaching from Alison Crum and members of the renowned Rose Consort of Viols.
1535 - a year in the life of Pierre Attaingnant. A workshop for voices and instruments at A=440 with Peter Syrus.
Workshop for voices and instruments - Tomás Luis de Victoria with Huw Morgan, further details TBC.
Workshop for voices and instruments directed by Alison Kinder. Full details will be posted at a later date.
Come and discover Medieval music with Mary Mohan, Jude Rees and Leah Stuttard. Delve into the world of Medieval manuscripts, dance tunes, beautiful sacred music and more.
Welcoming back Alison Kinder to lead this workshop. Details TBC.
William Lyons and Richard Thomas from The City Musick will be heading back to Halsway Manor this Christmastide, bringing with them all the joys of the festive season during the Renaissance. Intended for players of renaissance wind, brass and strings, this course will celebrate the huge variety of sounds and styles of Christmas music heard...
Christmas Workshop for voices and instruments with Philip Thorby.
Voices & Viols English Jacobean - a workshop for singers and viol players led by Elizabeth Dodd.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
This is the 11th PIVA Real Roots! course at Halsway, where you will be exploring the world of late 16th-century popular music - this year concentrating on music from Germany.
Renaissance workshop for voices and instruments with Bill Lyons. Further details later.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way. Composers studied will include Jenkins, Purcell, Holborne, Lawes and Coperario. There may also be time for a session or two on technical trouble-shooting for those interested.