This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
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How often do we play early music based on songs without the text present? This is very common for ensembles especially when playing 16th century music. Most of the music from this period arranged for recorders is vocal music but without the text present how do we know if it is true to the original... |
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1 event,Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter. |
2 events,Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists. |
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1 event,A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson. |
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Following on from Trills in the Baroque for Recorder Players Part 1, this workshop provides fingerings, technical exercises to increase control, and examples in the context of standard recorder repertoire. |
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Explore some of the most popular tunes of the 14th-16th centuries with members of Blondel Medieval & Renaissance wind band. |
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1 event,This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck. |
4 events,With Victoria Helby - for baroque instruments (A=415) and solo singers. A Party in Augsburg - Music of the early 16th century German Town and Dance bands This workshop is for players of all Medieval & Renaissance instruments at A=440. Players of loud winds are encouraged to also bring a quieter alternative instrument with them for occasional calmer moments. There will be a few pieces in...
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Explore, Hear and Play! No musical experience is necessary. In celebration of a recent bequest of Baroque and Renaissance instruments St Mary’s Music School is opening its doors to anyone who would like to learn about, hear, try to play, or share expertise in, early wind, brass and stringed instruments (viols and vielle). The afternoon... |
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