SWEMF Workshop with Ben England
Purcell Rejoice in the Lord Alway and Monteverdi Beatus Vir. Workshop with Ben England BEM, for SATB voices and strings. Pitch will be A=415.
Purcell Rejoice in the Lord Alway and Monteverdi Beatus Vir. Workshop with Ben England BEM, for SATB voices and strings. Pitch will be A=415.
Join Twickenham Choral for a workshop on Monteverdi’s Vespers of 1610 in preparation for their concert with His Majesty’s Sagbutts and Cornets.
Cantata 61 Nun komm’ der Heiden Heiland. Cantata 182 Himmelskönig, sei willkommen.
Enjoy a rewarding day singing this sublime piece with former Music Director of Reading Bach Choir, JanJoost van Elburg.
The Music of Thomas Tomkins – from both his madrigal output, and his sacred output. A workshop for voices with Carys Lane.
Laurie Stras of Musica Secreta leads this workshop for upper voices, all viols, lower pitch recorders and continuo. The workshop will introduce you to the fascinating record of the musical lives of Florentine nuns at the end of the Renaissance.
Drawing on historical visualisation and memorisation techniques, this session aims to introduce the participant to the basic building blocks of improvised counterpoint. The session is led by Tim Braithwaite, director of the Cappella Pratensis, and is open to all, whether you sing professionally, for fun, or simply enjoy listening to early music.
A trilogy of Crucifixus settings by Antonio Lotti, plus Lotti’s setting of Ad Dominum cum tribularer, as well as the Salve Regina by his Venetian forebear, Francesco Cavalli. Directed by Scott Inglis-Kidger.
Henry Purcell: King Arthur - A workshop for all voices and orchestral instruments, led by Robert Hollingworth.
Purcell choruses from Come ye Sons of Art and Hail bright Cecilia! for singers and baroque orchestra with Benjamin Nicholas, A=415.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Workshop for voices and instruments directed by Peter Wendland, including works by Hassler, Victoria, Lassus, Praetorius, and Zielenski.
Messa La Luna Piena (The ‘Full Moon’ Mass) in 8 parts by Giuseppe Corsi da Celano. A workshop for singers and instruments with George Parris.
Join David Allinson for a day exploring Palestrina’s music, in a programme which moves from the majestic to the intimate, from the contemplative to the joyful, and which avoids well-worn and obvious pieces.
This course, directed by Gabriel DÃaz, will celebrate the music of Spain’s first great composer. It will be held in the monastery of San Bernardo, in the shadow of the Alhambra in Granada’s AlbaicÃn. The central work is the mass that Morales based on Josquin’s chanson ‘Mille regretz’.