EMFS Workshop with Laurie Stras
Music and Ritual in a 16th Century Florentine Convent - Workshop for SA voices, Viols and low recorders led by Laurie Stras.
Music and Ritual in a 16th Century Florentine Convent - Workshop for SA voices, Viols and low recorders led by Laurie Stras.
Workshop of early music with South American links with El Parnaso Hyspano, for voices and continuo. Contact Janet Tanburn janetmtanburn@gmail.com for further details.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
How often do we play early music based on songs without the text present? This is very common for ensembles especially when playing 16th century music. Most of the music from this period arranged for recorders is vocal music but without the text present how do we know if it is true to the original...
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led by experienced choral director, David Greenwood. For more information email: casterbridge.music.uk@gmail.com. Palestrina Missa Aeterna Christi Munera Byrd Ave Verum Redford Rejoice in the Lord Parry...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course led by Nicholas Shaw.
Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
Following on from Trills in the Baroque for Recorder Players Part 1, this workshop provides fingerings, technical exercises to increase control, and examples in the context of standard recorder repertoire.
Missa Ave Virgo Sanctissima by Gery de Ghersem, and other pieces from 17th century Iberia, a workshop for voices with Rory Wainwright Johnston.
Composers of the English Reformation. Katy will concentrate on John Sheppard and Robert Parsons who both composed in both English and Latin, in the traditions of Catholic polyphony and then wrote music for the new Protestant reforms.
Explore some of the most popular tunes of the 14th-16th centuries with members of Blondel Medieval & Renaissance wind band.
Music for renaissance winds with Tim Bayley.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
!A la Batalla! workshop for voices with Greg Skidmore and Sue Addison. This workshop will include a mass by Victoria – details to be announced nearer the time.
With Victoria Helby - for baroque instruments (A=415) and solo singers.
A Party in Augsburg - Music of the early 16th century German Town and Dance bands This workshop is for players of all Medieval & Renaissance instruments at A=440. Players of loud winds are encouraged to also bring a quieter alternative instrument with them for occasional calmer moments. There will be a few pieces in...
Explore, Hear and Play! No musical experience is necessary. In celebration of a recent bequest of Baroque and Renaissance instruments St Mary’s Music School is opening its doors to anyone who would like to learn about, hear, try to play, or share expertise in, early wind, brass and stringed instruments (viols and vielle). The afternoon...
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
Bristol's Early Music Festival, with concerts, exhibits, workshops, and more...
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited, finding great acclaim in music-loving courts. Open to singers of all ranges - soloists and ensemble voices - as well as lutenists, this course...
This upper-voice (SSA/SSAA) ensemble singing weekend, led by Rory Wainwright Johnston, is built around detailed, small-ensemble choral work, drawing on repertoire from the early Baroque through to the present day.
Vasari Singers and Jeremy Backhouse return with another ‘Come and Sing’ event, singing the 40-part motet, Spem in Alium, and Domenico Scarlatti’s 10-part Stabat Mater – a fantastic combination for a day’s singing.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Early Music Extravaganza on the Isle of Wight - includes concerts, workshops, talks, and more!
Music Director: Tim Horton, Piano: William Munks. A choral workshop with free public performance.
Come and sing the choruses from Vivaldi’s momentous Gloria in D major, and learn about the fascinating history of this work. For voices, oboe, trumpet, strings and continuo.
The Beverley & East Riding Early Music Festival 2026.
La Fèsta de ƚa Sènsa: Venetian Music for Ascension - a workshop for singers and instrumentalists.
PAW Festival 2026 brings together music, visual art, and poetry in a vibrant programme of nine concerts, a vocal workshop and our annual open mic poetry evening. Featuring I Fagiolini, Parnassus Ensemble, Lizzie Ball, Miloš Milivojević, Fieri Consort, Toby Carr, Liza Sommers & Grace Newcombe, Jeremy Avis, Sam Stadlen, Suntou Susso, Simo Lagnawi, Rebecca Askew,...
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Led by Ben England BEM, these events offer a rare opportunity to delve into some of the most sublime works in the vocal canon, including: Allegri’s Miserere Stanford’s Bluebird Bono/U2 (arr. Bob Chilcott) MLK Tallis’ If Ye Love Me Chesnokov (arr. Gowers) Let My Prayer Arise This event will be repeated in Warrington and Wimbledon...
Led by Ben England BEM, these events offer a rare opportunity to delve into some of the most sublime works in the vocal canon, including: Allegri’s Miserere Stanford’s Bluebird Bono/U2 (arr. Bob Chilcott) MLK Tallis’ If Ye Love Me Chesnokov (arr. Gowers) Let My Prayer Arise This event will be repeated in York and Wimbledon...
A full weekend of music-making, inspiration and discovery, including concerts, playing sessions and more.
Workshop for singers with the theme 'Faith as Treason'.
Vocal and instrumental polychoral music with Peter Wendland.
Led by Ben England BEM, these events offer a rare opportunity to delve into some of the most sublime works in the vocal canon, including: Allegri’s Miserere Stanford’s Bluebird Bono/U2 (arr. Bob Chilcott) MLK Tallis’ If Ye Love Me Chesnokov (arr. Gowers) Let My Prayer Arise This event will be repeated in York and Warrington...
Led by Grace Newcombe with Liane Sadler & Colin Heller. Following Friday's fusion of folk and medieval sound worlds, and ahead of her recital of medieval song, Grace Newcombe invites singers to step inside the soundscape themselves. This immersive workshop explores the luminous textures of 15th-century polyphony alongside 13th-century Middle English song.c Open to confident...
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
Missa Laetatus Sum by Tomás Luis de Victoria - a workshop for voices and instruments led by Deborah Catterall.
Praetorius and other composers - a workshop for voices and instruments with David Hatcher.
Come & Sing Bach Magnificat with Gloucester Choral Society Conductor: Jonathan Hope, Assistant Director of Music, Gloucester Cathedral Accompanist: Piers Maxim, Director of Music and Organist at Great Malvern Priory
Viol players who can hold a line are invited to come and play in a session led by Jo Green in Morningside - the address will be confirmed when you register. This session is for intermediate and advanced players.
Two separate workshops for small consorts: 1) viols and strings 2) recorders (David will spend time with each ensemble, in two separate rooms).
This course is based on the music of the generation that followed Adrian Willaert and preceded Claudio Monteverdi. Directed by Eamonn Dougan.
Polychoral music by Heinrich Schütz, workshop for voices and instruments with Peter Wendland.
The Pre-Restoration consort anthem: a trove of neglected English treasures, a workshop for singers, viols and wind (A=440), with Bill Hunt.
EMFS welcome David Allinson back to Edinburgh for a full day choral workshop entitled 'A Garden Enclosed - Singing the Song of Songs', singing works by Guerrero, Victoria, Brumel and Palestrina.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Workshop for Voices and Instruments with Dr Stephen Bullamore. Music to include large scale works for voices, strings, wind and brass at pitch A=440 by Giovanni Gabrieli (Venice), Heinrich Schütz (Dresden), Orazio Benevoli (Rome), and Heinrich Biber (Salzburg)
Vocal music by Edmund Hooper and his contemporaries, with Katy Silverman.
Baroque workshop for instruments at A415 with Walter Reiter. The workshop is for string players (violin and viol families), wind instruments at 415 and continuo, including plucked continuo, and will cover seventeenth century repertoire typical of the Stylus Fantasticus way of writing.
Modern string players are invited to come and play Vivaldi's Concerti for 1, 2 or 4 violins under the direction of Philip Redfern.
Continuo Connect partner once again with Oxford Festival of the Arts to present a full weekend of Early Music at Magdalen College and New College, Oxford.
Registration from 13:45 Immerse yourself in the world of Palestrina and encounter polyphony at its most poised and refined. The music of Giovanni Pierluigi da Palestrina earned him the title Principe della Musica (the “Prince of Music”) thanks to the legend that his writing helped demonstrate to the Council of Trent how clarity of text...
The 2026 International Pipe and Tabor Festival will be in beautiful York, and will include playing in costume for the York Mystery Plays on Sun 28th June.
‘Light Beyond the Veil’ for 5 from 500’s 3rd birthday. A spiritual journey from the depths to ecstasy: John Taverner’s O Wilhelme, Pastor bone Peter Philips’ Ascendit Deus Antonio Lotti’s Crucifixus Anton Bruckner’s Christus Factus es James MacMillan’s O Radiant Dawn
Join internationally acclaimed baroque violinist Rachel Podger for a joyful, hands-on exploration of ensemble playing and expressive musicianship. This short course will cover gut-string playing, connecting the breath and the bow, and also body awareness and body resonance. Rachel will introduce BOGA (a unique form of “bow-yoga”) as well as Alexander Techniques, chamber music making...
Join David Skinner in Venice for a splendid programme of music by Adrianus Willaert.
The York Early Music Festival 2026.
Meditations on suffering set to music by Josquin, Byrd, Lassus, Willaert. Texts written from prison by Girolamo Savonarola. Workshop for singers and instrumentalists with David Hatcher, also includes BMEMF AGM.
The workshop is led by Keith Orrell, its focus is on Spanish polyphony. We will look at three Spanish works, Tomas Luis de Victoria's Missa Gaudeamus and O Magnum Mysterium followed by Alonso Lobo's Versa Est In Luctum. Price £25. Refreshments will be provided.
Treasures of the Spanish Renaissance ~ the music of the golden century: Cristóbal de Morales, Tomás Luis de Victoria, Philippe Rogier, Juan de Esquivel and Alonso Lobo. Directed by Bill Carslake.
Chalemie Summer School in Early Music, Dance, Period Costume Making and Commedia. Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
Music for the death of Prince Henry in 1612 - a workshop for voices led by Patrick Craig.
This mixed-voice early music workshop marks 400 years since John Dowland with an in-depth exploration of his complete published lute-song output. Working in small mixed-voice ensembles, the weekend will focus on Dowland’s music as shared ensemble repertoire, with attention to text, rhetoric, tuning, contrapuntal clarity and ensemble contact. *More tenors and basses needed!*
Summer Meeting with optional lunch. A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Dowland 400 workshop for voices, lutes, viols, recorders and other appropriate softer instruments with Lynda Sayce. Exploring some of Dowland's most famous and lesser known works, ranging through all of his song collections. Pitch A440.
Praise and Prayer - a day for voices and instruments exploring texts on the theme of praise and entreaty, led by Ali Kinder.
15th century popular songs - a workshop for voices and plucked strings (A=440) with Leah Stuttard.
Summer School for Enthusiasts of Early Music, both instrumentalists and singers, offering full board or daily attendance. Spread over 6 days the course is ably led by David Hatcher and David Allinson, allowing participants to enjoy a high standard of music making.
Step up to the jukebox and explore the music of Josquin des Prez. He was a central figure of the Franco-Flemish school and arguably the most influential composer of his generation. His works, which were circulated widely across Europe in the early age of music printing, were admired for their expressive text-setting and clarity of...
Workshop for Voices - John Taverner Masses & Motets with Patrick Allies.