Chalemie Summer School
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
This course is about discovering the joy and genius of the Bach suites in an open lesson/masterclass format.
Every Monday and Friday, In your own home, online with Jamulus software (https://jamulus.io). OEMF began just before lockdown, as the COVID19 pandemic was gathering momentum, and has continued ever since. In addition to the usual equipment (your voice and your musical talent), you will need a computer with Jamulus software (https://jamulus.io). Turn off Wi-Fi (please...
The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Any appropriate repertoire can be represented: French, German, Italian and English. Tutors: Susanna Pell, Mie Hayashi, Graham O’Sullivan
Concerts and talks with the theme of Metamorfosi culminating with the biennial International Young Artist Competition.
This celebratory evening workshop will include a handful of highlight works chosen by David Allinson from his years with the choir.
A course exploring our great heritage of Renaissance choral music and developing a performance style appropriate to it.
A course that explores some of the glories of Early Tudor sacred music, centred on the six-part Videte miraculum Mass by Nicholas Ludford. Directed by Rory Wainwright Johnston.
Five days of viol consort playing in a variety of group sizes with other players of an advanced level, and opportunities to study various afternoon 'options' including technical sessions, some lesser known repertoire and/or renaissance viols. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland
A one-day conference on 17th and 18th century singing and vocal music, directed by Dr David Allinson.
“Big” Polychoral motets from 15–17th centuries in 10 to 16 parts. A workshop for all singers and instruments .
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Course Director - David Hatcher. Choral Director - David Allinson. Tutors: Ann Allen, Jennie Cassidy, Stephanie Dyer, Jeremy West.
Offered in collaboration with the Academy of Ancient Music (AAM), with: Laurence Cummings as course director, voices and continuo, Bojan Čičić upper strings, Joseph Crouch lower strings, Leo Duarte woodwind and Mary Collins, baroque dance and stagecraft.
The Music Summer School and Festival will feature a range of courses for participants including Choir, Vocal Ensembles and Chamber Choir, Opera Scenes, Improvisation, Chamber Music, Baroque Orchestra, Wind Ensemble, String Ensemble, Early Music, Composition, Instrumental and Vocal Workshops and Masterclasses and much more.
Daisies, pearls, musical mysteries: Margaret of Austria and her famous Flemish scriptorium - music by Pierre de la Rue, Josquin, Verdelot and others. Tutors: Clare Wilkinson (voices and course director), Nicholas Todd and Giles Underwood (voices), Alison Crum and Susanna Pell (viols).
The 52nd NORVIS summer school - a week-long early music summer school in County Durham.
Repertoire includes the Plainchant "Salve Regina", and related works by Josquin, Victoria, Mouton and Morales.