Springtime Recorders
Tutors: Alyson Lewin, Caroline Jones Come and enjoy Springtime Recorders! Intermediate ensemble, one to a part playing and group technique sessions all delivered in supportive, fun sessions.
Tutors: Alyson Lewin, Caroline Jones Come and enjoy Springtime Recorders! Intermediate ensemble, one to a part playing and group technique sessions all delivered in supportive, fun sessions.
Join tenor James Gilchrist, Henrike Lähnemann, German medieval historian, and the editor David Hatcher for an informal conversation about the making of 'Inn Stetter Hut', find out who was the richest man in the 16th and discuss why the song 'Lust hab ich ghabt zur Musica' couldn't be included in the programme. Followed at 7.30pm...
Tutors: Jakob Lindberg, Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe, Sam Chapman Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts.
Join Scott Inglis-Kidger for a weekend taking an in-depth look at Juan Gutiérrez de Padilla's Missa Ego Flos Campi and some of his beautifully crafted motets.
Back to the future - an exploration of composers prior to and leading up to Byrd.
Music from 16th-century convents - for female voices (SAT) plus strings, soft wind, and continuo instruments.
Felix Austriae: music from Habsburg Vienna. Workshop for all voices and specified instruments (A=440). This workshop will be suitable for cornetts, sackbuts and dulcians, as well as strings of both viol and violin families.
Come and Sing - Part 1 and Hallelujah Chorus from Handel's Messiah. Contact: leipertara@gmail.com for details and booking.
Come and Sing Messiah Tour UK & Ireland, led by Ben England BEM and Mark Strachan BEM.
Join the Athenaeum Singers, led by Thomas Mottershead, to sing selected choruses from this magnificent work.
Come and Sing Messiah Tour UK & Ireland, led by Ben England BEM and Mark Strachan BEM.
Tim will be leading you through Handel's Oratorio Choruses in his own inimitable style!
Motets by Pierre de Manchicourt (c1510 – 1564).
Come & Sing Vivaldi Gloria with the Quayside Choir and Guest Director Simon Earl.
Learn traditional songs from the Republic of Georgia with Anthony Johnston, leader and musical director of Borjghali, Bristol Georgian choir.
Roses in Wild Weather - a singing afternoon of early and traditional songs.
In celebration of Early Music Day, The Telling singer Clare Norburn presents a workshop on Zoom to guide you through how to sing a range of beautiful medieval songs by and about women.
Come and Sing Messiah Tour UK & Ireland, led by Ben England BEM and Mark Strachan BEM.
Workshop for singers - Iberians in Rome: the music of Cristobal de Morales & Vicente Lusitano.
Liverpool Metropolitan Cathedral have joined forces with Liverpool Hope University to host the Universities Group Festival. Seven university choirs from across the country will join the local community to sing at this event.
Come and sing the popular choral classic, Vivaldi Gloria, with members of The Huddersfield Choral. The workshop will be led by Gregory Batsleer, one of Britain’s most innovative and successful choral leaders, and accompanied by the acclaimed organist, Darius Battiwalla.
Come and sing Vivaldi's Gloria under the tutelage of Matthew Owens, Music Director of the Ulster Consort.
The price for the day is £45 which includes refreshments and lunch. Contact: Mary Maddison memaddison@hotmail.co.uk.
An afternoon of selected choruses from this beloved masterpiece. Free admission. Tea and cakes provided.
This course is for all levels of ability and beginners are very welcome. As well as the violin family, support can also be given for making a Rebec (an ancient ancestor of the violin).
This term’s book is: Finding Handel by Helen Dymond. This novel explores an interrupted journey through Holland that Handel took when he was 65. We will explore the historical record of this event compared to the novel and also some of the themes and works discussed in the book.
Tutor: Edward Breen Explore the history of this most famous choral work and trace the story of the famous high C from the castrati of the 18th century to today’s professional early music vocal ensembles.
The Benslow Baroque Opera: 'The Judgement of Paris' by John Weldon. A=415. Tutors: Julian Perkins, Judy Tarling, Henrik Persson, Nick Shaw.
This popular annual event will be directed by Jeremy Jackman and accompanied by world-renowned trumpeter, Crispian Steele-Perkins.
Come and Sing Messiah Tour UK & Ireland, led by Ben England BEM and Mark Strachan BEM.
Workshop for singers - the Byrd 4 Part Mass.
Come and Sing Messiah Tour UK & Ireland, led by Ben England BEM and Mark Strachan BEM.
Majesty and Magnificence: Andrea Gabrieli and Orlando di Lasso. For singers and instruments (A=440).
Byrd & the birth of the Consort Anthem a workshop for singers, viols & soft wind (A=440), directed by Bill Hunt of Fretwork.
Come & Sing Handel's Messiah with professional orchestra and soloists of Wyatt Sinfonia, and a chorus made up of community singers.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Join singers from across the South West for a workshop exploring some of the beautiful choruses from Handel's masterpiece, working with talented choir director David Everett. For further details, or to register, contact: casterbridge.music.uk@gmail.com
This is a course for invited singers, but you may register an interest using the form on their website.
Music for Renaissance Wind Band, directed by Tim Bayley of the York Waits.
Come & Sing Handel's Messiah with Somerset Choral Society. Light refreshments and music provided. Tickets: £10 singers, £5 audience. Further details & booking: 07397 806319.
De Monte - Peccantem me quotidie Byrd - Cibavit eos Clemens non Papa - Tristitia et anxietas
Sing Joyfully - a celebration of Spring in Song and Madrigal with Hannes Kaiser. Contact: hansenmerle848@gmail.com / 07730 436766.
In this Byrd year, for a bit of a change, come and spend an evening singing English music mainly NOT by Byrd. This workshop will focus on the rich English madrigal repertoire, focusing on John Wilbye, but also including Orlando Gibbons, John Ward, Thomas Tomkins, Thomas Weelkes (who also died 400 years ago this year),...
Tutor: Edward Breen Explore the early music pioneers of the 20th century. Learn about different approaches in each genre and unpick some of the arguments about ‘authenticity’ and ‘historically informed performance’ with instruments and voices.
An ensemble for musicians interested in learning the skills of playing consort music in different instrumental combinations ("broken consort"). It will be a journey exploring the variety of sound combinations in 17th century repertoire.
Tutor: Patrick Allies This course will lead you through a sequence of topics in Iberian renaissance music from Spain, Portugal, and the New World.
Come and Sing four Coronation Anthems by Handel with Cantores Olicanae, led by Charlie Perry.
Join Gloucester Choral Society for a rare opportunity to sing Spem in Alium by Thomas Tallis, led by Adrian Partington. Written for 8 choirs, this 40-part composition involves hundreds of singers, and you can be one of them.
Master and Pupil: Ingegneri and Monteverdi. A polychoral workshop for singers and instrumentalists.
Including music by Child, Weelkes, Vaughan Williams, and Purcell. Led by Peter Nardone and Stephen Tilton. Application forms and more details from saffas73@btinternet.com.
The workshop for instruments at A=440 will show three faces of 17th century sacred music. The Italian style with Claudio Monteverdi, the Italian influence with Heinrich Schütz, and the Italian style with a difference with Isabella Leonarda.
A friendly course (all levels except beginner) to enjoy exploring a variety of music with others on your own instrument, plus a chance also for you to consort!
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, Tutors: Alison Crum, Peter Syrus.
Byrd Takes Flight at 400 - English and Latin church music by William Byrd.
Marc-Antoine Charpentier’s Mass for Four Choirs. This magnificent work was written c.1672 for four choirs, each with an instrumental ensemble. The Festival will provide instrumentalists for the workshop.
Participants will learn the steps and skills needed to make their own oboe, English horn (Cor Anglais), or baroque oboe reeds.
Sweelinck & Scheidt for voices & instruments.
Byrd Responses, Orlando Di Lasso Magnificat Sexti Toni a 4 & Nunc Dimittis “Se’l mio sempre per voi”, and Palestrina Figlio immortal d’immortal padre.
Musical Director: Andrew Parnell Accompanist: Clare Selby Soloist: Chloë Allison
Non-residential study weekend directed by Chris Brown.
De Monte – Peccantem me quotidie Byrd – Cibavit eos Clemens non Papa – Tristitia et anxietas
Spend a week singing in the shade of the Alhambra working on a rich programme of choral music.
This event is open to any singer who knows the work and/or can sight-read music proficiently. The performance will be directed by members of the Cathedral music staff and will feature massed choir, professional soloists and the Liverpool Concert Orchestra.
The Sacred Music of Giovanni Battista Casali in Eighteenth Century Rome - a workshop for voices and bass instruments.
Music for singers and baroque orchestra (A=415), including anthems from five coronations.
Come and Sing day featuring the Vivaldi Gloria.
A week of study and rehearsal leading to a public performance in the historic town of Skipton.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
An invitation to student string players to join Asuka Sumi, the leader of the period instrument orchestra Leeds Baroque for an introduction to Baroque String playing technique and repertoire. Admission is FREE, Baroque instruments not required and a small number of Baroque instruments will be available on loan for the day. A simple registration form...
Sing short A Cappella pieces by Tallis, Byrd, Weelkes, Bruckner & Josquin, supported by Harry’s Chamber Choir, Recordare.
Master Byrd differs from ‘greatest hits’ compilations in being a dramatic presentation that helps the audience understand Byrd’s life and the conditions of composition and his music.
An un-tutored course for experienced singers and players of early instruments.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
The music will be the Missa l'hora passa (Gloria, Sanctus, Benedictus and Agnus Dei) of Ludovico da Viadana; and Adoremus in Æternam of Gregorio Allegri. The cost to participate in the day is £25 per singer, and pre-registration is required by email (jnmr84094@gmail.com). All voice parts are most welcome.
Sweelinck and Scheidt - workshop for voices and instruments (A=440).
Come and Sing: Vivaldi Gloria, Zadok The Priest, Quanta Qualia, and other short pieces.
Join the Waynflete Singers in a workshop on Handel's four Coronation Anthems, including Zadok the Priest, and Parry's I Was Glad.
The Sadler partbooks preserve much pre-Reformation Catholic music alongside more contemporary Latin motets by Tallis, Byrd and Morley.