The Gonzaga Legacy with Platinum Consort
St Barnabas, Pimlico LondonThis season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
This season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
Internationally acclaimed conductor Andrea Brown will direct another splendid program of Venetian music.
Discover the exquisite world of early music in Singing Baroque: From Monteverdi to Bach, with Jonathan Peter Kenny.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
This course, directed by Rory Wainwright Johnston, celebrates the musical achievements of renaissance Florence, both by its native composers and those drawn by the city’s dazzling éclat.
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited. Open to singers of all ranges as well as lutenists. Facilitators: Emma Kirkby, Florian Franke & Sam Brown.
A friendly introduction for flute, lute and cello players to the rich but sometimes forbidding world of baroque chamber music.
This Chamber Weekender brings together a reconstructed Vespers drawn from the works of Spain’s most distinguished Renaissance composers, many of whom knew, influenced, or were aware of each other’s music. Directed by Scott Inglis-Kidger.
This course offers viol players the chance to explore consort repertoire from the viol's Golden Age and to improve their technique along the way. Composers studied will include Jenkins, Purcell, Holborne, Lawes and Coperario.
A series of three workshops exploring the rich tapestry of choruses, chorales and select solo movements from J.S. Bach’s Weinachtsoratorium (Christmas Oratorio). Directed by Scott Inglis-Kidger. These workshops can be booked individually, or as a bundle. 8th November (Parts I & II) 6th December (Parts III & IV) 10th January (Parts V & VI) Three Workshop...
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
For centuries Christmas and the surrounding seasons have inspired composers to new heights of invention. The repertoire chosen for this course will reach across the ages: from the eternal beauty of the Tudor church right up to the twenty-first century.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Non-residential study weekend directed by Philip Walsh.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Alonso Lobo ~ De lamentatione Ieremiæ Prophetæ Duarte Lobo ~ Missa pro defunctis 8 vocibus A week of study and rehearsal leading to a public performance in Cádiz.
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led by experienced choral director, David Greenwood. For more information email: casterbridge.music.uk@gmail.com. Palestrina Missa Aeterna Christi Munera Byrd Ave Verum Redford Rejoice in the Lord Parry...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course led by Nicholas Shaw.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.