Portuguese Polyphony in Braga
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Musical Director: David Ogden.
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Musical Director: David Ogden.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. Tutor: John Rowlands-Pritchard.
A course directed by Rory McCleery in a former monastery, now a small hotel, on the Adriatic coast of Italy. The repertoire is centred on the larger-scale music of the greatest composers of Spain’s Siglo de Oro: Guerrero, Lobo, Morales and Victoria.
Exploring national styles in suites and concertos by Purcell, Campra, Corelli, Vivaldi and Fasch. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
Four days of viol consort playing in a variety of group sizes with other players of an advanced and upper-intermediate level. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland.
Chalemie's 25th Summer School in Early Music, Dance, Period Costume Making and Commedia. Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
A course directed by Bill Carslake, with repertoire drawn from the larger-scale works in one of the most important sources of Tudor church music, the Baldwin Partbooks.
Chamber Weekender for Upper Voices, exploring Pergolesi’s Stabat Mater, in its original setting for two vocal lines. This exquisite, haunting rendering of the Marian hymn captures Mary’s deep sorrow at the foot of the cross. Giovanni Battista Pergolesi (1710–1736) composed this masterwork shortly before his death at the age of 26. Directed by Scott Inglis-Kidger.
This residential course is for singers and players of Renaissance instruments and has been running for many years.
Orlando Gibbons and the music of Westminster Abbey. This course, directed by Patrick Craig explores anthems by three towering musicians of Westminster Abbey, focussing on Orlando Gibbons who died in 1625 together with choral masterpieces by Robert White and Henry Purcell.
The 53rd NORVIS summer school - a week-long early music summer school in County Durham.
The group will teach two courses: Vocal Ensembles - a course designed to improve ensemble singing skills. Participants will be divided into small groups, normally with just one or two voices per part, and will explore a wealth of 16th and early 17th century gems. Sing with Stile - singing alongside members of Stile Antico,...
Assisi 2025 – Palestrina, Prince of Music, with Musical Director Rory McCleery.
An increasingly popular course for those interested in Baroque performance practice using modern instruments.
For competent singers, viol and recorder players, covering music c1450-c1650.
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Caoimhe de Paor, Pamela Flanagan, Philip Thorby, Peter Wendland.
Join Zarek Trio in a course focused on the baroque trio sonata.
The Historically Informed Summer School - where folk, traditional and early music meet.
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Repertoire includes works by Cipriano De Rore, Jacquet De Mantua, and Claudio Monteverdi.
Rory Wainwright Johnston will be leading this weekend workshop in the glorious, peaceful setting of Malham Moor in the Yorkshire Dales. Covering pieces by Campion, Dowland, Gibbons, Wilbye, Pilkington and Morley, exploring both lute songs and madrigals, honing ensemble singing skills and delving into the techniques that bring this repertoire to life. Whether you're passionate...
A Friday night concert given by early music professionals and a two day workshop for vocalists and instrumentalists. Georg Philipp Telemann's 'Paris Quartets' This year focusses on Telemann's famous collection of music for flute, violin, viola da gamba and continuo (cello and harpsichord). Friday night concert: Marches Baroque Ensemble, playing on period instruments, will present...
This season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
Chamber choir and consort singing of madrigals and Partsongs.
The Linarol Consort's Renaissance Viol and Recorder course is for experienced viol and recorder players with an interest in improving their technique on Renaissance instruments and in reading from facsimile. Tutors: David Hatcher and Alison Kinder, assisted by Claire Horacek and Timothy Lin.
Banbury Early Music Festival is for early music fans and newcomers alike, to come and participate in inspiring workshops, listen to world class concerts, leaf through a myriad of music and try out early instruments until their heart's content!
An upper voices Chamber Weekender immersed in the beauty of Handel’s Italian duets. Directed by Scott Inglis-Kidger.
An opportunity for singers and continuo players to explore Purcell's solo songs and ensemble works in detail with Emily Owen and Satoko Doi-Luck.
Internationally acclaimed conductor Andrea Brown will direct another splendid program of Venetian music.
Discover the exquisite world of early music in Singing Baroque: From Monteverdi to Bach, with Jonathan Peter Kenny.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
This course, directed by Rory Wainwright Johnston, celebrates the musical achievements of renaissance Florence, both by its native composers and those drawn by the city’s dazzling éclat.
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited. Open to singers of all ranges as well as lutenists. Facilitators: Emma Kirkby, Florian Franke & Sam Brown.
A friendly introduction for flute, lute and cello players to the rich but sometimes forbidding world of baroque chamber music.
This Chamber Weekender brings together a reconstructed Vespers drawn from the works of Spain’s most distinguished Renaissance composers, many of whom knew, influenced, or were aware of each other’s music. Directed by Scott Inglis-Kidger.
This course offers viol players the chance to explore consort repertoire from the viol's Golden Age and to improve their technique along the way. Composers studied will include Jenkins, Purcell, Holborne, Lawes and Coperario.
A series of three workshops exploring the rich tapestry of choruses, chorales and select solo movements from J.S. Bach’s Weinachtsoratorium (Christmas Oratorio). Directed by Scott Inglis-Kidger. These workshops can be booked individually, or as a bundle. 8th November (Parts I & II) 6th December (Parts III & IV) 10th January (Parts V & VI) Three Workshop...
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
For centuries Christmas and the surrounding seasons have inspired composers to new heights of invention. The repertoire chosen for this course will reach across the ages: from the eternal beauty of the Tudor church right up to the twenty-first century.
Come and Sing/Play Handel: Dixit Dominus and C P E Bach: Magnificat with Director: Richard Roddis, Répétiteur: Michael Overbury, and Instrumental Specialist: Kelly McCusker.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Non-residential study weekend directed by Philip Walsh.
Real Roots! Exploring the world of late 16th-century popular music. The core of the programme will consist of playing in a mixture of large and small ensembles, as well as a range of other options each day, including a focus on ensemble techniques, ornamentation and will hopefully also include some vocal sessions.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness.
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Alonso Lobo ~ De lamentatione Ieremiæ Prophetæ Duarte Lobo ~ Missa pro defunctis 8 vocibus A week of study and rehearsal leading to a public performance in Cádiz.
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led by experienced choral director, David Greenwood. For more information email: casterbridge.music.uk@gmail.com. Palestrina Missa Aeterna Christi Munera Byrd Ave Verum Redford Rejoice in the Lord Parry...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course led by Nicholas Shaw.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he visited, finding great acclaim in music-loving courts. Open to singers of all ranges - soloists and ensemble voices - as well as lutenists, this course...
This upper-voice (SSA/SSAA) ensemble singing weekend, led by Rory Wainwright Johnston, is built around detailed, small-ensemble choral work, drawing on repertoire from the early Baroque through to the present day.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
This course is based on the music of the generation that followed Adrian Willaert and preceded Claudio Monteverdi. Directed by Eamonn Dougan.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Join internationally acclaimed baroque violinist Rachel Podger for a joyful, hands-on exploration of ensemble playing and expressive musicianship. This short course will cover gut-string playing, connecting the breath and the bow, and also body awareness and body resonance. Rachel will introduce BOGA (a unique form of “bow-yoga”) as well as Alexander Techniques, chamber music making...
Join David Skinner in Venice for a splendid programme of music by Adrianus Willaert.
Treasures of the Spanish Renaissance ~ the music of the golden century: Cristóbal de Morales, Tomás Luis de Victoria, Philippe Rogier, Juan de Esquivel and Alonso Lobo. Directed by Bill Carslake.
Chalemie Summer School in Early Music, Dance, Period Costume Making and Commedia. Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
This mixed-voice early music workshop marks 400 years since John Dowland with an in-depth exploration of his complete published lute-song output. Working in small mixed-voice ensembles, the weekend will focus on Dowland’s music as shared ensemble repertoire, with attention to text, rhetoric, tuning, contrapuntal clarity and ensemble contact. *More tenors and basses needed!*
Summer School for Enthusiasts of Early Music, both instrumentalists and singers, offering full board or daily attendance. Spread over 6 days the course is ably led by David Hatcher and David Allinson, allowing participants to enjoy a high standard of music making.
The Song of Songs: sacred love songs by Palestrina, Lassus, L’Héritier, Gombert and others. For Voices and Viols. Spend time with like-minded musicians, and develop your skills under the guidance of a world-class team of tutors: course director and vocal tutor Clare Wilkinson, vocal tutors Carys Lane, Giles Underwood and Nicholas Hurndall Smith, and viol...
The Baroque course will focus on Purcell’s semi-opera Dioclesian. Applications are invited from dancers, proficient singers and confident players of gut-strung Baroque instruments, with Baroque bows, bass viol, violone, recorder, baroque flute, oboe, bassoon, lute family and harpsichord/organ. Pitch: A=415.
John Blow (1649-1708) Venus and Adonis "A Masque for the Entertainment of the King", directed by Scott Inglis-Kidger Desire, pursuit, and a fatal misjudgement: when Venus urges her lover to prove himself in the hunt, a fleeting moment of bravado sets in motion one of mythology’s most devastating endings. In this compact but beautifully crafted...
NORVIS is the full week-long early music summer school in County Durham which they are proud to describe as one of the UK’s longest-established and friendliest. They teach recorders, Baroque flutes, viols, lutes and early guitars, harpsichords and voices. Repertoire from early Renaissance to late Baroque.
Courses available in choral singing, vocal ensembles, solo singing, baroque orchestra, baroque chamber music, renaissance ensembles and singing, harpsichord and organ. Course tutors include Robert Hollingworth and I Fagiolini, The Lyons Mouth, James Gilchrist, Steven Devine, Gail Hennessy, Gavin Kibble, The Brook Street Band, The City Musick, Jane Chapman & David Titterington.
Patrick Craig, taking over the Assisi residency, has put together a wonderful programme of music for the saints including - of course - St Francis.