Rondo Viol Academy
St. Katharine's, Henley-on-ThamesAdvanced.
Advanced.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
A course exploring the Real Roots! of European traditional and renaissance music, both the music and the instruments. The focus of the course will be playing 4 or 5 part harmony.
Five days of deliciously 'miserable' music, including works by Purcell, Blow, Carissimi, Child and Monteverdi.
Chamber Singing Weekender - Gombert, Tomkins and Weelkes.
A course for choral singers held in the Monasterio de San Bernardo, close to the Alhambra Palace in Granada. The repertoire will be based on the largely six-part Lamentations of Jeremiah by Pedro Ruimonte, 1565-1627.
The 2024 winter course focusses on the works of J. Sebastian Bach, with emphasis on the chorale preludes.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Fred Jacobs, Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Elementary, Lower Intermediate, Pre-formed Consorts.
Tutors: Fernando Miguel Jalôto, Judy Tarling, Henrik Persson, Nick Shaw, Ricardo Barros. An inspiring opportunity to participate in a staged Baroque opera with amazing period costumes and scenery.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
A course for choral singers with repertoire drawn from the music of Renaissance Portugal, including the Ave Virgo sanctissima Mass of Géry de Ghersem.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way.
Tutors: Emily Ashton, Richard Boothby, Jon Rees, Joanna Levine. This course offers viol players the chance to explore the consort repertoire and improve their technique along the way.
Intermediate and Upper Intermediate.
Two parallel, friendly courses offering a variety of music for players at any level except beginners. For those who wish, there are opportunities to mix and match between the two courses.
Tutors: Jeremy West, Gareth Wilson Glorious renaissance polyphony for choir with historic brass.
An un-tutored course for experienced singers and players of early instruments.
Tutor: John Rowlands-Pritchard. An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence.
A course for choral singers of all ages and nationalities in a former monastery overlooking the Adriatic, centred on Renaissance music inspired by the biblical Song of Songs. Directed by Lucy Goddard.
Sing Victoria's magnificent Requiem in the majestic cathedral in Burgos, Spain.
Tutors: Theresa Caudle, Mark Caudle, Claire Williams. 18th century repertoire that would have been performed by the Dresden Hofkapelle, including works by Pisendel, Heinichen and Zelenka; scored for two oboes, bassoon and strings.
Sing Henry Purcell's Dido & Aeneas (abridged) with Platinum Consort.
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
This course is about discovering the joy and genius of the Bach suites in an open lesson/masterclass format.
The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Any appropriate repertoire can be represented: French, German, Italian and English. Tutors: Susanna Pell, Mie Hayashi, Graham O’Sullivan
A course exploring our great heritage of Renaissance choral music and developing a performance style appropriate to it.
A course that explores some of the glories of Early Tudor sacred music, centred on the six-part Videte miraculum Mass by Nicholas Ludford. Directed by Rory Wainwright Johnston.
Five days of viol consort playing in a variety of group sizes with other players of an advanced level, and opportunities to study various afternoon 'options' including technical sessions, some lesser known repertoire and/or renaissance viols. Tutors: Alison Crum, Alison Kinder, Ibi Aziz, Peter Wendland
Course Director - David Hatcher. Choral Director - David Allinson. Tutors: Ann Allen, Jennie Cassidy, Stephanie Dyer, Jeremy West.
Offered in collaboration with the Academy of Ancient Music (AAM), with: Laurence Cummings as course director, voices and continuo, Bojan Čičić upper strings, Joseph Crouch lower strings, Leo Duarte woodwind and Mary Collins, baroque dance and stagecraft.
The Music Summer School and Festival will feature a range of courses for participants including Choir, Vocal Ensembles and Chamber Choir, Opera Scenes, Improvisation, Chamber Music, Baroque Orchestra, Wind Ensemble, String Ensemble, Early Music, Composition, Instrumental and Vocal Workshops and Masterclasses and much more.
Daisies, pearls, musical mysteries: Margaret of Austria and her famous Flemish scriptorium - music by Pierre de la Rue, Josquin, Verdelot and others. Tutors: Clare Wilkinson (voices and course director), Nicholas Todd and Giles Underwood (voices), Alison Crum and Susanna Pell (viols).
The 52nd NORVIS summer school - a week-long early music summer school in County Durham.
Repertoire includes the Plainchant "Salve Regina", and related works by Josquin, Victoria, Mouton and Morales.
This course spans 6 centuries of music, participants can choose to join for the whole course, or just the sections that appeal to them. Facilitators: Patrick Allies, Owain Park & Joseph Fort.
This is a practical course examining the relationship between language and music in the renaissance and baroque.
For competent singers, viol and recorder players, covering music c1450-c1650. Instruction in choral/solo singing, viol and recorder playing, lute, plus vocal technique and various consorts.
The theme for the 2024 course will be "Fairest Isle: A Musical Journey Around the British Isles" although you can play any baroque music of your choice in the chamber music groups. Booking opens on 1st December 2023.
Voices from Tudor Lincolnshire: Motets for the Virgin Mary. This course will be directed by David Allinson and will focus on English choral music of the 'Golden Age'.
A course for those interested in Baroque performance practice using modern instruments, with three experienced tutors in strings, wind and keyboard. Tutors: Julia Bishop, Sophie Middleditch, David Pollock
A course designed for players of recorders, viols and other early instruments, covering a wide repertoire from ancient to modern. Sessions include one-to-a-part groups, workshops, consort songs, trio sonatas, choir, large and small ensembles. Tutors: Ibi Aziz, Pamela Flanagan, Caoimhe de Paor, Philip Thorby, Peter Wendland.
International residential summer school for singers and players of early, traditional & folk music. Opportunities for folk voices/instruments, singers, baroque strings, viols, lute/theorbo, reeds/capped wind, early brass, recorders, continuo. Highlights for 2024 include Robert Hollingworth (Guest Tutor) Benevoli Missa Tu Es Petrus, Carissimi Jephte.
A baroque chamber music course at A415. Theresa (violin) and Alastair (harpsichord), bring their wealth of knowledge to encourage and cajole you into stylish performances of repertoire from the early 17th to late 18th centuries.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
An exploration of the riches of secular vocal music from the Renaissance to the 20th century. Tutors: James Oldfield, Simon Gregory
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Elementary, Lower Intermediate, Pre-formed Consorts.
Friday evening concert and weekend workshop for singers and instrumentalists. Julia Bishop and David Hatcher will lead the two day workshop for singers and instrumentalist on music to include Charpentier's Te Deum.
A course in the historic town in southwest France that explores the music of Josquin des Pres and his influential school. Directed by Rory McCleery.
For experienced viol players with an interest on improving their technique on Renaissance instruments and in reading from facsimile.
A chance to sing glorious Italian choral music in a splendid church overlooking the canals of Venice. Programme includes works by Monteverdi, Rovetta, Grandi, Cavalli and Lotti.
Intermediate and Upper Intermediate.
Sing Ludovico Grossi da Viadana's Missa Defunctorum with Platinum Consort.
A weekend of medieval and renaissance consort music coaching and performance, with William Lyons & The City Musick.
Come and discover Medieval music with Mary Mohan and Jude Rees. Delve into the world of Medieval manuscripts, dance tunes, beautiful sacred music and more.
Tutors: Alison Crum, John Bryan, Peter Wendland, Ibi Aziz. Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
Explore and celebrate some of Handel’s wonderful arias with an aficionado of his music.
William Lyons and Richard Thomas from The City Musick will be heading to Halsway Manor for the very first time, bringing with them all the joys of the festive season during the Renaissance.
Explore the rich repertoire of the 17th-century string band. For baroque instruments at A=415. Tutors: Judy Tarling, Rachel Stott, Kinga Gaborjani.
Elementary, Lower Intermediate, Pre-formed Consorts.
Three days of viol consort playing in a variety of group sizes. Tutors: Alison Crum, Peter Wendland.
For pre-formed chamber groups on period instruments. Tutors: Theresa Caudle, Mark Caudle, Claire Williams, Stephen Preston.
Recorders@Plymouth are back for their annual visit to Halsway Manor, offering an opportunity to explore the huge diversity of recorder orchestra repertoire.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
Advanced.
Exploring the world of late 16th-century popular music, as heard in both court and country.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness. Work at 415 or 440Hz, with availability of one harpsichord playable at either pitch, plus Higham’s transposable electric pianos. Tutors: Katharine May and Michael Sanderson.
The 2025 winter course will focus on the works of J. Sebastian Bach’s predecessors. Tutors: Philip Scriven, Andrew Millington, Peter Parshall, Peter Lea-Cox, Richard Godfrey.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way.
This course, directed by Gabriel Díaz, will celebrate the music of Spain’s first great composer. It will be held in the monastery of San Bernardo, in the shadow of the Alhambra in Granada’s Albaicín. The central work is the mass that Morales based on Josquin’s chanson ‘Mille regretz’.
Plenty of opportunities to play at all levels of ability. Tutors: Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe, Evangelina Mascardi, Andrea Damiani.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, playing mainly in small groups. Tutors: Emma Kirkby, Alison Crum.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Tutors: Emily Baines, Arngeir Hauksson (Amyas).
Perform Charpentier's sacred masterpiece Messe pour MrMauroy. Tutors: Miguel Jaloto, Nick Shaw, Kinga Gaborjani, Gail Hennessy, Judy Tarling.
Music will be taken from 'The Oxford Book of Tudor Anthems' and 'The Oxford Book of English Madrigals'.
Two parallel, friendly courses for players at any level, though not beginners.
A course directed by Patrick Craig in the historic Pembrokeshire port, centred on the six-part Requiem of the Portuguese composer Manuel Cardoso (c. 1566-1650), interspersed with funerary motets by other Portuguese composers
Intermediate and Upper Intermediate.