The Medieval Folkie! with Archaedium
With Mary Mohan and Jude Rees as your guides, you’ll be learning tunes from the Middle Ages.
With Mary Mohan and Jude Rees as your guides, you’ll be learning tunes from the Middle Ages.
A workshop of renaissance Christmas polyphony for period wind and brass players, directed by Tim Bayley of the York Waits.
Seasonal fun for voices and Instruments.
Benevoli Mass for four choirs c 1650 - expect a wonderful day with one of our favourite Tutors to get you in the spirit of Christmas!
The Mystical Marriage - a workshop for Singers and Instrumentalists for the Christmas season - with music by Teodoro Riccio, Melchior Frank and Andrea Gabrieli.
Join Pam Smith on Zoom every morning on the run-up to Christmas for some beautiful medieval carols. You will need a treble and a tenor recorder (but feel free to play another instrument or sing if you want) and access to Zoom. Pam will play one part from her music room, and you can play...
Tutor: Penelope Cave A course for pianists who would like to learn about the harpsichord and its technique.
Music in honour of Mary and the infant Jesus, including works by Victoria, Praetorius and Melchior Franck. Open to all voices and players of renaissance wind and strings (A=440).
Julian Perkins and Cambridge Handel Opera return for a further exploration of Handel's continuo cantatas. Come and explore these neglected gems of the baroque repertoire with leading specialists in historical performance practice and the music of Handel.
Tutor: Karen Betley From the Brandenburg Concertos to the Partitas for solo violin, instrumental music played an important role in the output of J.S.Bach. Come and explore these extraordinary works by this late Baroque master.
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness.
Byrd and the birth of the "consort anthem", for voices and "soft" instruments such as viols and recorders.
Come and Sing or Play J S Bach: Magnificat & Cantata 21 with Sinfonia Chorale Director: Richard Roddis Organist: Michael Overbury Instrumental Specialist: Nicolette Moonen
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments.
Tutors: Alison Crum, Peter Wendland. Three days of viol consort playing in a variety of group sizes and exploring some lesser known repertoire in addition to ‘old favourites’.
Learn how to take care of your instrument, in this practical guide to regulation, stringing and tuning. Andrew Wooderson is an experienced harpsichord maker, restorer and repairer.
Join Steven Devine for a public masterclass showcasing the harpsichord.
Four 1-hour sessions with Pam Smith on 08/02, 15/02, 22/02 & 01/03 at 4-5pm. Music will be from the Egerton Manuscript (MS 3307). Ideally, playing from a tablet/computer but pdfs will also be emailed. You will need a treble and a tenor recorder. This short course is suitable for those with little or no previous...
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
My Heart is Inditing - an exploration of settings by Purcell and Handel for singers and instrumentalists (A=440).
An exciting opportunity to learn from Devon Baroque Orchestra’s principal players about creating the unique baroque sound. Key Repertoire will include a Corelli Concerto Grosso and other baroque favourites.
This weekend invites players to try their hand at different sized consorts, working at times from facsimile music on renaissance viol instruments.
Byrd and his contemporaries for voices and instruments, directed by John Bryan.
Sacred Settings by Marc-Antoine Charpentier including his Magnificat H78 and Dixit Dominus H204. In association with Keble Early Music Festival. For voices, baroque wind, strings and continuo (A=415).
The course will provide an in-depth exploration of the ornamentation techniques used in 17th-century Italian music, with an emphasis on how to apply them to the musical pieces of the time.
Discover the world of late 16th century popular traditional music as heard in both court and country. The course is suitable for players of woodwinds, reed instruments, historical brass and strings (ancient and modern), as well as other instruments such as bagpipes & nyckelharpa.
Improvisation workshop for singers and instrumentalists with Paula Chateauneuf.
As a musician Byrd contributed masterpieces to virtually all the styles of his day: music for English services; mass ordinaries and Latin motets for his Catholic friends; songs for plays and for the home, ranging from devout psalm settings to pastoral topics; instrumental consort music; and keyboard music. This workshop will explore pieces from several...
Masters of Venice: Grillo and Picchi - a workshop for instrumentalists (A=440).
A Bouquet of Composers - Zielenski, Gabrieli & Praetorius - a workshop for voices and instruments (A= 440). Open to players of recorders across the range, viols, flutes, sackbuts and loud (ish) winds including cornetto.
Tutors: Alyson Lewin, Caroline Jones Come and enjoy Springtime Recorders! Intermediate ensemble, one to a part playing and group technique sessions all delivered in supportive, fun sessions.
Join tenor James Gilchrist, Henrike Lähnemann, German medieval historian, and the editor David Hatcher for an informal conversation about the making of 'Inn Stetter Hut', find out who was the richest man in the 16th and discuss why the song 'Lust hab ich ghabt zur Musica' couldn't be included in the programme. Followed at 7.30pm...
Tutors: Jakob Lindberg, Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe, Sam Chapman Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts.
Music from 16th-century convents - for female voices (SAT) plus strings, soft wind, and continuo instruments.
Felix Austriae: music from Habsburg Vienna. Workshop for all voices and specified instruments (A=440). This workshop will be suitable for cornetts, sackbuts and dulcians, as well as strings of both viol and violin families.
Motets by Pierre de Manchicourt (c1510 – 1564).
This course is for all levels of ability and beginners are very welcome. As well as the violin family, support can also be given for making a Rebec (an ancient ancestor of the violin).
The Benslow Baroque Opera: 'The Judgement of Paris' by John Weldon. A=415. Tutors: Julian Perkins, Judy Tarling, Henrik Persson, Nick Shaw.
Majesty and Magnificence: Andrea Gabrieli and Orlando di Lasso. For singers and instruments (A=440).
Byrd & the birth of the Consort Anthem a workshop for singers, viols & soft wind (A=440), directed by Bill Hunt of Fretwork.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Music for Renaissance Wind Band, directed by Tim Bayley of the York Waits.
Tutor: Edward Breen Explore the early music pioneers of the 20th century. Learn about different approaches in each genre and unpick some of the arguments about ‘authenticity’ and ‘historically informed performance’ with instruments and voices.
An ensemble for musicians interested in learning the skills of playing consort music in different instrumental combinations ("broken consort"). It will be a journey exploring the variety of sound combinations in 17th century repertoire.
Master and Pupil: Ingegneri and Monteverdi. A polychoral workshop for singers and instrumentalists.
The workshop for instruments at A=440 will show three faces of 17th century sacred music. The Italian style with Claudio Monteverdi, the Italian influence with Heinrich Schütz, and the Italian style with a difference with Isabella Leonarda.
A friendly course (all levels except beginner) to enjoy exploring a variety of music with others on your own instrument, plus a chance also for you to consort!
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, Tutors: Alison Crum, Peter Syrus.
Participants will learn the steps and skills needed to make their own oboe, English horn (Cor Anglais), or baroque oboe reeds.
Sweelinck & Scheidt for voices & instruments.
The Sacred Music of Giovanni Battista Casali in Eighteenth Century Rome - a workshop for voices and bass instruments.
Music for singers and baroque orchestra (A=415), including anthems from five coronations.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
An invitation to student string players to join Asuka Sumi, the leader of the period instrument orchestra Leeds Baroque for an introduction to Baroque String playing technique and repertoire. Admission is FREE, Baroque instruments not required and a small number of Baroque instruments will be available on loan for the day. A simple registration form...
An un-tutored course for experienced singers and players of early instruments.
Sweelinck and Scheidt - workshop for voices and instruments (A=440).
This Event has been Postponed - new date TBC Missa La Luna Piena by Giuseppe Corsi da Celano (1631 - 1691). Workshop for singers and instrumentalists, to include the BMEMF AGM.
Purcell Symphony Anthem “My Heart is Inditing”, for voices and instruments.
An event, for voices and instruments, to celebrate the life and contribution to early music of the late TVEMF chairman, David Fletcher.
Transalpine Vespers - German and Italian early baroque music - for singers and instrumentalists. Pitch: A=415.
17th century music for string ensemble by Cazzati, Vitali, Torelli, Grossi, Gio Bononcini, Stradella and Corelli. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
A workshop for voices and instruments on Verse Anthems by Byrd and his contemporaries.
Workshop for voices and soft instruments covering a fascinating and inspiring range of accompanied choral music, ranging from an anonymous 11th century Alleluia to Byrd’s Veni, sancte spiritus and Miserere mihi Domine, via anonymous and named composers such as Dunstaple, Frye, Taverner and Parsons.
The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Tutors: Susanna Pell, Mie Hayashi and Graham O’Sullivan
A workshop for wind, string and keyboard players: playing works from the 16th century with their tendency towards a blended sound and the use of instrumental families; then comparing them with later works which use basso continuo to reconcile disparate and contrasting instruments.
Through a series of lectures and recitals, led by a range of experts, uncover more about William Byrd, his life and music.
John and Mary Cousen were early members of NEEMF who contributed greatly to the enjoyment of early music in the region, and more widely. This event will be open to all comers (A=440), whatever you sing or play and whether or not you knew John and Mary – just as long as you are prepared...
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
Five days of viol consort playing in a variety of group sizes with other players of an advanced level, and opportunities to study various afternoon 'options' including technical sessions, some lesser known repertoire and/or renaissance viols. Tutors: Alison Crum, Peter Wendland and Ibiz Aziz with John Bryan
Vocal ensembles, medieval music, renaissance wind ensembles, viol music, chamber music, lute tuition, early keyboard classes, and more!
Following on from the success of last year’s production of The Fairy Queen, this year’s course focuses on Henry Purcell’s King Arthur: a dramatic work based around the play of the same name by John Dryden. Tutors: Laurence Cummings, Bojan Čičić, Mark Caudle, Leo Duarte and Mary Collins
Sacred Music from Eighteen Century Rome - A workshop for SATB voices and bass instruments.
Summer school for recorders, viols, lutes and guitars, baroque strings, harpsichord and voices, with repertoire from early Renaissance to late Baroque.
Choir and vocal ensembles, baroque orchestra, recorder classes, chamber music, keyboard tuition, vocal tuition and more!
This residential course is for singers and players of renaissance instruments and has been running for many years. Booking opens January 2023.
Part of Cambridge Early Music's Summer Schools programme, this week will be the perfect opportunity to spend time with like-minded musicians, and to develop your skills under the guidance of a world-class team of tutors. Tutors: Clare Wilkinson, Giles Underwood, Jacob Heringman and John Bryan
An intensive five-day course for aspiring professional baroque instrumentalists.
For competent singers, viol and recorder players, covering music c1450-c1650. Deborah Catterall (Head Tutor, Vocal) Elizabeth Dodd (Viol, Renaissance Dance) Philip Gruar (Recorder) Hugh Cherry (Lute) Michael Piraner (Recorder)
Residential Baroque Music Summer School for baroque wind, string and continuo players and up to ten singers, but there are also opportunities for instrumentalists to sing.