SWEMF Workshop: Guerrero with Huw Morgan
Guerrero Missa Surge Propera with Huw Morgan. Pitch for the day will be A=440. Forces required are SATB voices plus strings and winds.
Guerrero Missa Surge Propera with Huw Morgan. Pitch for the day will be A=440. Forces required are SATB voices plus strings and winds.
Workshop for Singers: Rejoice and Sing! Exploring Palestrina’s Missa Confitebor tibi Domine with David Allinson.
The ‘Full Moon’ Mass – an exquisite Italian rarity from the mysterious Giuseppe Corsi da Celano, for voices and instruments.
Join Bob Porter and the Brandenburg Festival Chorus for a workshop studying choral technique and based around the Vivaldi Gloria, leading to a final performance to raise the roof of St Gabriel's.
A scholarly exploration of the life and music of Thomas Morley. A workshop for voices with Will Dawes and Katie Bank.
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Come and sing Bach: Mass in B minor choruses with Goldsmiths Choral Union choir, conducted by Jack Apperley.
Gibbons Verse Anthems for voices and instruments, directed by Bill Hunt.
Workshop for singers and instrumentalists - Francisco Valls, Missa Scala Aretina, with Patrick Craig.
Gibbons Verse Anthems workshop for voices and strings with Clare Griffel. This workshop will explore Gibbons' wonderful legacy of verse anthems with instruments, including ‘See, see, the Word is incarnate’, which reprises the entirety of salvation history in a few astonishing pages, and ‘Behold Thou hast made my days’. Pitch will be A=440; all voices,...
Whether you're new to singing Bach or a seasoned Bach Club stalwart, these workshops offer a chance to deepen your appreciation of his genius. Directed by Scott Inglis-Kidger.
Come & Sing Claudio Monteverdi's glorious Beatus vir, and Alessandro Striggio's Ecce beatam lucem with the William Byrd Singers, led by Keith Orrell.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Join Richmond Opera for a joyful day of singing, featuring choruses from Handel's Alexander's Feast and more! Led by Lindsay Bramley, with Mike Keen on keyboard.
Schein’s Banchetto Musicale – a workshop for instruments (recorders, strings, brass and reeds at pitch A=440) with Alison Kinder.
Weldon/Purcell The Tempest, or The Enchanted Island. Offered in collaboration with the Academy of Ancient Music (AAM), directed by Laurence Cummings. Pitch: A=415.
Charles V and the Spanish Golden Age: music for an empire where the sun never sets - music by Morales, Guerrero, Anchieta, Vasquez, Crecquillon, Victoria and others. For voices and viols, with Clare Wilkinson, Carys Lane, Giles Underwood, Alison Crum and Alison Kinder.
The festival will be in three independent parts, with one part being an in depth look at some Music of the Renaissance and how to sing Plainsong.
Assumpta est Maria! Motets for Mary - a workshop for singers with David Allison.
The theme for 2025 is Visiting Vienna: Exploring Music at the Habsburg Court.
Come and join members of the Greenock Philharmonic Choir to sing Vivaldi’s popular Gloria.
Come & sing Bach's Magnificat in the stunning acoustic of Southwell Minster’s Nave, led by Festival Director Marcus Farnsworth.
An exciting all-day early-music workshop directed by Greg Skidmore. William Byrd (c.1540 - 1623) Ne irascaris Domine Vigilate Orlando Gibbons (1583 - 1625) Hosanna to the son of David Robert Ramsey (c.1590 - 1644) When David heard Thomas Tallis (c.1505 - 1585) In jejunio et fletu Thomas Weelkes (1576 - 1623) O how amiable are...
Bill Hunt will direct singers and viol players in works by Orlando Gibbons in a full day workshop.
This season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
The Medieval Instrumentarium - celebrate instrument design, construction, history and - of course - playing!
The music of Lusitano and other Portuguese composers.
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
A chance to sing selected movements from Bach's wonderful St John Passion - in English. Led by musical director Hilary Campbell and accompanied by Steve Kings.
The EMFS Choir will meet under the direction of Michael Cameron-Longden to start the autumn term by looking at some music by Orlando Gibbons, in this the 400 year anniversary of his death.
A day exploring settings of psalms by Callcott, Lasso, Quarles, Tallis, Tomkins & the ubiquitous Anonymous with choir director and composer David Greenwood. The motets are settings of psalms 23, 100 and 130. This Come & Sing is one of 6 annual workshops run since 2022 and attracts enthusiastic singers from across the south west...
An un-tutored course for experienced singers and players of early instruments.
Meeting most Fridays at 12:15. Contact John: j76parcw@outlook.com for further details and full address.
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
All modern strings are welcome to come and play Vivaldi in the latest Go 4 B'roque event. Spend a morning playing some of Vivaldi's concerti for strings under the direction of Philip Redfern.
Experience the joy of singing with one of the North West's best chamber choirs as they prepare for their 2025/26 programme, rehearsing J.S.Bach's Christmas Oratorio. This event is free but please register your interest so the organisers can ensure there is enough music and cake!
Workshop for voices and instruments with Philip Thorby. There will be a short AGM at lunchtime. This workshop to mark the 540th anniversary of the death of Andrea Gabrieli, and will explore some of his 12-part works for singers, cornetts, sackbuts, recorders, curtals, strings & continuo and, depending on forces, his 16-part Gloria.
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
An upper voices Chamber Weekender immersed in the beauty of Handel’s Italian duets. Directed by Scott Inglis-Kidger.
Festival organiser, early music specialist and choral conductor Dylan McCaig opens the 2025 Banbury Early Music Festival with a rich and inspiring Choral Workshop exploring the expressive depth and enduring influence of Orlando Gibbons. Through the shimmering polyphony of Gibbons’ Drop, Drop, Slow Tears (5-Part), participants will uncover his unique place in English sacred music,...
Join renowned recorder player and YouTube sensation, Sarah Jeffery (aka Team Recorder) for an inspiring recorder-focused intermediate-level workshop exploring early music by female composers. Delve into beautiful, lesser-known repertoire in the welcoming setting of St Mary’s Church Hall, Banbury. Limited places available! Don’t miss this unique opportunity to deepen your skills and discover the rich...
2025 marks 400 years since the death of Orlando Gibbons, one of the finest composers of the English Renaissance, so what better way to honour his legacy than by playing and singing his music together! In this special multi-instrumental and vocal workshop led by festival founder and viol player Alison Kinder, participants will dive into...
An uplifting half-day exploration of the sacred music of William Byrd (c.1540–1623), one of the most influential composers of the English Renaissance. Directed by Scott Inglis-Kidger.
Ave Maria - from Parsons to Palestrina for singers with David Crown.
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
Nun lob, mein Seel, den Herren. Polychoral music for voices and instruments, with Stephanie Dyer.
This is for experienced choral singers who can sight read on the day or prepare their part in advance, so we can reduce note bashing to the minimum. There will be one other piece worked on by each portion of the choir. Expressions of interest invited here: https://5from500.co.uk/spem-in-alium/ Morning venue King Edward VII Upper School...
If you can hold your own sight reading in a consort then come and join Jo and Thomas Green for a sociable playing morning.
The workshop will cover a wide range of music, from France, Scotland, Germany and Italy and ranging from 5 to 22 parts. Open to the following instruments: Cornetts, sackbuts, curtals/dulcians, recorders, viol and violin family, plucked continuo.
Monteverdi's madrigals (from around 1600) are impossibly perfect miniatures, five voiced mini dramas that carry a surprising amount of musical weight. Spend a morning exploring them (and one contemporary classic from England) in the company of Robert Hollingworth, director of I Fagiolini and co-founder of the podcast Choral Chihuahua.
The 2025 Brighton Early Music Festival: concerts, workshops and more, including: Saturday 27th September: Choral workshop exploring the music of Palestrina, led by Ben Vonberg-Clark. Sunday 5th October: Workshop on French baroque style for early instrumentalists at A=440, led by Sam Stadlen.
BFCS Musical Director Thomas Leech will take us through a selection from Handel's Messiah. Sing along with our friendly and supportive choir!
Renaissance Italian canzonas for viols and recorders (A=440).
Anthems by Orlando Gibbons - a workshop led by Bill Hunt. For all voices, viols of all sizes and soft wind (recorders, flutes) with a supporting role for well behaved curtals in the chorus sections, organ and lute are also welcome, A=440.
The EMFS annual Making Music Day workshop, directed by Michael Cameron-Longden and Lynne Hope, and tackling music by Orlando Gibbons and contemporaries. All voices and instruments are welcome.
Two day event in Thaxted Church with George Parris. Heinrich Schütz Schwanengesang for voices and instruments.
Vivaldi Gloria with Tutor Ben England - a Baroque (A415) workshop for voices and instruments.
Tackle Bach's fabulous Brandenburg Concerto No. 4 under the direction of Philip Redfern. All modern string players are welcome.
Come and join a consort of singers from Stile Antico in singing music from their programme ‘The Golden Renaissance’ ahead of their performance at St Mary’s Church.
Female Composers of 17th Century Italy with Emily White, for singers and instrumentalists.
Philip Thorby will be the musical director of this wonderful workshop, which will mark the 540th anniversary of the death of the great Andrea Gabrieli, composer and first organist at St Mark's in Venice from 1566 until his death in 1585. We will explore some of Andrea's great twelve-part works, including the psalm setting, `Benedicam...
This Chamber Weekender brings together a reconstructed Vespers drawn from the works of Spain’s most distinguished Renaissance composers, many of whom knew, influenced, or were aware of each other’s music. Directed by Scott Inglis-Kidger.
In this 400th anniversary year of the death of Orlando Gibbons, come and explore the glorious sound-world of music for voices and viols with Alison Kinder.
From Darkness to Light – a journey through Early Baroque splendour for voices and instruments. An Advent come and sing & play, led by Drew Cantrill-Fenwick, pitch: A=415.
Come & Sing Vivaldi Gloria and other Baroque excitement with Tim Knight.
If you can hold your own sight reading in a consort then come and join Jo and Thomas Green for a sociable playing morning.
A day of early choral music led by Alan Taverner.
‘The Sound of Power‘ – Johann Stadlmayr’s Polychoral Music for the Habsburg Courts, a workshop led by Gawain Glenton. The choice of repertoire for this workshop will be tailored as closely as possible to the ensemble on the day, but will hopefully include two 12-part motets: Deus qui glorificantes and Domine quis habitabit. This workshop will benefit from...
Renaissance Playing Day (A=440), for renaissance brass and wind (including recorders), viols and other appropriate instruments, and one-to-a-part singers.
Consumed with Sorrow – Renaissance Masterpieces inspired by loss. Workshop for Voices with Angus Smith.
The EMFS Choir will meet under the direction of Michael Cameron-Longden to continue exploring the music of Orlando Gibbons and his contemporaries.
A series of three workshops exploring the rich tapestry of choruses, chorales and select solo movements from J.S. Bach’s Weinachtsoratorium (Christmas Oratorio). Directed by Scott Inglis-Kidger. These workshops can be booked individually, or as a bundle. 8th November (Parts I & II) 6th December (Parts III & IV) 10th January (Parts V & VI) Three Workshop...
The London International Festival of Early Music 2025.
This workshop will explore Palestrina’s supreme mastery in the so-called ‘parody’ Mass genre. In this type of setting, the composer bases their Mass on a pre-existing polyphonic model – generally a motet or chanson – expanding and rhapsodising on the source material in each ‘movement’.
Workshop for voices and instruments directed by Ali Kinder, further details TBC.
Handel's Messiah - A Charity Workshop and Performance For All.
Come and discover Medieval music with Mary Mohan, Jude Rees and Leah Stuttard. 2025’s focus will be Adam de la Halle.
Tackle some of Purcell's marvellous music for celebrations under the direction of Philip Redfern. All modern string players are welcome.
A once a year treat for singers to come together to perform Handel's amazing music & raise money for a local charity.