The Gonzaga Legacy with Platinum Consort
St Barnabas, Pimlico LondonThis season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
This season of Early Nights traces the far-reaching influence of the Gonzaga court in shaping sacred music at the turn of the 17th century.
Meeting most Fridays at 12:15. Contact John: j76parcw@outlook.com for further details and full address.
‘The Sound of Power‘ – Johann Stadlmayr’s Polychoral Music for the Habsburg Courts, a workshop led by Gawain Glenton. The choice of repertoire for this workshop will be tailored as closely as possible to the ensemble on the day, but will hopefully include two 12-part motets: Deus qui glorificantes and Domine quis habitabit. This workshop will benefit from...
Renaissance Playing Day (A=440), for renaissance brass and wind (including recorders), viols and other appropriate instruments, and one-to-a-part singers.
Consumed with Sorrow – Renaissance Masterpieces inspired by loss. Workshop for Voices with Angus Smith.
The EMFS Choir will meet under the direction of Michael Cameron-Longden to continue exploring the music of Orlando Gibbons and his contemporaries.
A series of three workshops exploring the rich tapestry of choruses, chorales and select solo movements from J.S. Bach’s Weinachtsoratorium (Christmas Oratorio). Directed by Scott Inglis-Kidger. These workshops can be booked individually, or as a bundle. 8th November (Parts I & II) 6th December (Parts III & IV) 10th January (Parts V & VI) Three Workshop...
The London International Festival of Early Music 2025.
This workshop will explore Palestrina’s supreme mastery in the so-called ‘parody’ Mass genre. In this type of setting, the composer bases their Mass on a pre-existing polyphonic model – generally a motet or chanson – expanding and rhapsodising on the source material in each ‘movement’.
Workshop for voices and instruments directed by Ali Kinder, further details TBC.
Handel's Messiah - A Charity Workshop and Performance For All.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Come and discover Medieval music with Mary Mohan, Jude Rees and Leah Stuttard. 2025’s focus will be Adam de la Halle.
Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
Tackle some of Purcell's marvellous music for celebrations under the direction of Philip Redfern. All modern string players are welcome.
A once a year treat for singers to come together to perform Handel's amazing music & raise money for a local charity.
Praise and Prayer - a day for voices and instruments exploring texts on the theme of praise and entreaty.
The life and music of Thomas Morley, a workshop for singers with Will Dawes & Katie Bank.
William Lyons and Richard Thomas from The City Musick will be heading back to Halsway Manor this Christmastide, bringing with them all the joys of the festive season during the Renaissance.
The York Early Music Christmas Festival was created in 1997 to introduce audiences to the extraordinary wealth of music associated with Advent, Christmas and Epiphany, from the Medieval to the Baroque, intertwined with the sagas, stories and tales of the north.
MEMF Workshop with Robert Hollingworth - a workshop for voices and instruments at pitch A=440 with free lunch.
If you can hold your own sight reading in a consort then come and join Jo and Thomas Green for a sociable playing morning.
Christmas with the Shepherds, a workshop for singers (all voices), players of soft wind (recorders, flutes, sackbut and curtal) and strings are all welcome. Pitch: A=440Hz.
Valls Missa Scala Aretina for singers and instruments with Patrick Craig.
The EMFS Choir will meet under the direction of Michael Cameron-Longden to sing some seasonal Christmas music. Mince pies and nibbles will be provided!
Tackle one of the best Christmas pieces written - Corelli's magnificent Concerto Grosso in G minor, the Christmas Concerto - under the direction of Philip Redfern. All modern string players are welcome.
For centuries Christmas and the surrounding seasons have inspired composers to new heights of invention. The repertoire chosen for this course will reach across the ages: from the eternal beauty of the Tudor church right up to the twenty-first century.
Workshop for voices and instruments at A=440 with David Hatcher.
Come & Sing Handel's Judas Maccabaeus with English Baroque Choir.
A party in Ausburg - music of the early 16th century German Town and Dance bands - a workshop for instruments at A=440 pitch.
Come & Sing works by Dowland, Weelkes & Copriario with City Chamber Choir, led by Stephen Jones.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Zoom Talk given by Patrick Craig on Orlando Gibbons and the Music of Westminster Abbey.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
Come and Sing Handel's Messiah with Nantwich Choral Society.
William Byrd and his Circle with Sally Dunkley.
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
An Early Music Love Affair - a workshop for voices and instruments with Lisa Colton. Liverpool area.
Epiphany Party for voices and instruments with Philip Thorby, Beccles.
Non-residential study weekend directed by Philip Walsh.
JS Bach: Choruses from the Christmas Oratorio with Philip Thorby, for singers and baroque orchestra (A=415).
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby of Fretwork.
El Parnasso Hyspano - indigenous Latin American music workshop for singers and continuo, details to be confirmed.
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara Stowe.
Schutz: Psalmen Davids workshop with Bill Carslake.
Alonso Lobo ~ De lamentatione Ieremiæ Prophetæ Duarte Lobo ~ Missa pro defunctis 8 vocibus A week of study and rehearsal leading to a public performance in Cádiz.
Delve into music by Tim's favourite composer - JS Bach, together with other maestros of choral music in the impressive Grade 1 listed St Mary's Church in Whitkirk.
Prophecies and visions: chromatic music of the 1540s-1570s. Music by Lasso, Vicentino, Rore and Marenzio.
Victoria Lamentations and Response + Surrexit - a workshop for voices with David Allinson. Didsbury, Manchester.
Polychoral Pentecost, for voices and instruments, directed by Mark Wilson.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of a team of leading baroque specialists. Tutors: Catarina Costa e Silva, Fernando Miguel Jalôto, Judy Tarling, Gail Hennessy, Josh Salter.
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led by experienced choral director, David Greenwood. For more information email: casterbridge.music.uk@gmail.com. Palestrina Missa Aeterna Christi Munera Byrd Ave Verum Redford Rejoice in the Lord Parry...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course led by Nicholas Shaw.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of the 12th-15th centuries. Tutors: Emily Baines, Arngeir Hauksson.
Missa Ave Virgo Sanctissima by Gery de Ghersem, and other pieces from 17th century Iberia, a workshop for voices with Rory Wainwright Johnston. Preston.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances of a meditative chant sequence. Tutor: John Rowlands-Pritchard.
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody, accompaniment and the interface between them. Tutors: Naomi Burrell, Gavin Kibble, Satoko Doi-Luck.
Workshop for voices with Greg Skidmore in Lincoln.
Further details will follow.
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Music Director: Tim Horton, Piano: William Munks. A choral workshop with free public performance.
Vivaldi’s Gloria workshop for voices and strings with Ben England. Wilmslow.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
Polychoral music by Heinrich Schütz, workshop for voices and instruments with Peter Wendland. Lancaster.
Summer Viols, directed by Alison Crum and Alison Kinder.
In this discovery day course tutors provide an introduction to the instrument, basic playing techniques and rich repertoire. The course also includes a ticket to the evening's Rose Consort of Viols concert. No previous string playing experience required.
Save the date for this Workshop for Voices and Instruments with Dr Stephen Bullamore. Music, subject to confirmation, to include large scale works for voices, strings, wind and brass at pitch A=440 by Giovanni Gabrieli (Venice), Heinrich Schütz (Dresden), Orazio Benevoli (Rome), Heinrich Biber (Salzburg), M.A Charpentier (Paris).
Workshop for voices and instruments with Stephanie Dyer. Chester.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Simon Harper tutors a workshop for singers on the theme of Saints and Angels, to include pieces by composers such as Victoria, Sweelinck, Weelkes and Philips. Further details to be confirmed.
Music from the Odhecaton workshop for voices and instruments with Lizzie Gutteridge. Bolton.
1535 – a year in the life of Pierre Attaingnant - a workshop for voices and instruments with Peter Syrus. Bramhall, Stockport.
Christmas Workshop for voices and instruments with Philip Thorby.