Tutor: Edward Breen Explore the early music pioneers of the 20th century. Learn about different approaches in each genre and unpick some of the arguments about ‘authenticity’ and ‘historically informed performance’ with instruments and voices.
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2 events,An ensemble for musicians interested in learning the skills of playing consort music in different instrumental combinations ("broken consort"). It will be a journey exploring the variety of sound combinations in 17th century repertoire. |
3 events,The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Tutors: Susanna Pell, Mie Hayashi and Graham O’Sullivan |
4 events,A workshop for wind, string and keyboard players: playing works from the 16th century with their tendency towards a blended sound and the use of instrumental families; then comparing them with later works which use basso continuo to reconcile disparate and contrasting instruments. |
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3 events,Through a series of lectures and recitals, led by a range of experts, uncover more about William Byrd, his life and music. |
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1 event,John and Mary Cousen were early members of NEEMF who contributed greatly to the enjoyment of early music in the region, and more widely. This event will be open to all comers (A=440), whatever you sing or play and whether or not you knew John and Mary – just as long as you are prepared... |
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1 event,Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period. |
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2 events,Five days of viol consort playing in a variety of group sizes with other players of an advanced level, and opportunities to study various afternoon 'options' including technical sessions, some lesser known repertoire and/or renaissance viols. Tutors: Alison Crum, Peter Wendland and Ibiz Aziz with John Bryan |
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1 event,Vocal ensembles, medieval music, renaissance wind ensembles, viol music, chamber music, lute tuition, early keyboard classes, and more! |
2 events,Following on from the success of last year’s production of The Fairy Queen, this year’s course focuses on Henry Purcell’s King Arthur: a dramatic work based around the play of the same name by John Dryden. Tutors: Laurence Cummings, Bojan Čičić, Mark Caudle, Leo Duarte and Mary Collins |
5 events,Summer school for recorders, viols, lutes and guitars, baroque strings, harpsichord and voices, with repertoire from early Renaissance to late Baroque. Choir and vocal ensembles, baroque orchestra, recorder classes, chamber music, keyboard tuition, vocal tuition and more! Sacred Music from Eighteen Century Rome - A workshop for SATB voices and bass instruments. |
5 events,This residential course is for singers and players of renaissance instruments and has been running for many years. Booking opens January 2023. Part of Cambridge Early Music's Summer Schools programme, this week will be the perfect opportunity to spend time with like-minded musicians, and to develop your skills under the guidance of a world-class team of tutors. Tutors: Clare Wilkinson, Giles Underwood, Jacob Heringman and John Bryan |
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