The Benslow Baroque Opera
Benslow Music Benslow Lane, Hitchin, HertfordshireThe Benslow Baroque Opera: 'The Judgement of Paris' by John Weldon. A=415. Tutors: Julian Perkins, Judy Tarling, Henrik Persson, Nick Shaw.
The Benslow Baroque Opera: 'The Judgement of Paris' by John Weldon. A=415. Tutors: Julian Perkins, Judy Tarling, Henrik Persson, Nick Shaw.
Majesty and Magnificence: Andrea Gabrieli and Orlando di Lasso. For singers and instruments (A=440).
Byrd & the birth of the Consort Anthem a workshop for singers, viols & soft wind (A=440), directed by Bill Hunt of Fretwork.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Music for Renaissance Wind Band, directed by Tim Bayley of the York Waits.
Tutor: Edward Breen Explore the early music pioneers of the 20th century. Learn about different approaches in each genre and unpick some of the arguments about ‘authenticity’ and ‘historically informed performance’ with instruments and voices.
An ensemble for musicians interested in learning the skills of playing consort music in different instrumental combinations ("broken consort"). It will be a journey exploring the variety of sound combinations in 17th century repertoire.
Master and Pupil: Ingegneri and Monteverdi. A polychoral workshop for singers and instrumentalists.
The workshop for instruments at A=440 will show three faces of 17th century sacred music. The Italian style with Claudio Monteverdi, the Italian influence with Heinrich Schütz, and the Italian style with a difference with Isabella Leonarda.
A friendly course (all levels except beginner) to enjoy exploring a variety of music with others on your own instrument, plus a chance also for you to consort!
A weekend of 16th and 17th century vocal music ‘apt for voyces and vyalls’, Tutors: Alison Crum, Peter Syrus.
Participants will learn the steps and skills needed to make their own oboe, English horn (Cor Anglais), or baroque oboe reeds.
Sweelinck & Scheidt for voices & instruments.
The Sacred Music of Giovanni Battista Casali in Eighteenth Century Rome - a workshop for voices and bass instruments.
Music for singers and baroque orchestra (A=415), including anthems from five coronations.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West, Gareth Wilson.
An invitation to student string players to join Asuka Sumi, the leader of the period instrument orchestra Leeds Baroque for an introduction to Baroque String playing technique and repertoire. Admission is FREE, Baroque instruments not required and a small number of Baroque instruments will be available on loan for the day. A simple registration form...
An un-tutored course for experienced singers and players of early instruments.
Sweelinck and Scheidt - workshop for voices and instruments (A=440).
This Event has been Postponed - new date TBC Missa La Luna Piena by Giuseppe Corsi da Celano (1631 - 1691). Workshop for singers and instrumentalists, to include the BMEMF AGM.
Purcell Symphony Anthem “My Heart is Inditing”, for voices and instruments.
An event, for voices and instruments, to celebrate the life and contribution to early music of the late TVEMF chairman, David Fletcher.
Transalpine Vespers - German and Italian early baroque music - for singers and instrumentalists. Pitch: A=415.
17th century music for string ensemble by Cazzati, Vitali, Torelli, Grossi, Gio Bononcini, Stradella and Corelli. Tutors: Theresa Caudle, Mark Caudle, Claire Williams.
A workshop for voices and instruments on Verse Anthems by Byrd and his contemporaries.
Workshop for voices and soft instruments covering a fascinating and inspiring range of accompanied choral music, ranging from an anonymous 11th century Alleluia to Byrd’s Veni, sancte spiritus and Miserere mihi Domine, via anonymous and named composers such as Dunstaple, Frye, Taverner and Parsons.
The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Tutors: Susanna Pell, Mie Hayashi and Graham O’Sullivan
A workshop for wind, string and keyboard players: playing works from the 16th century with their tendency towards a blended sound and the use of instrumental families; then comparing them with later works which use basso continuo to reconcile disparate and contrasting instruments.
Through a series of lectures and recitals, led by a range of experts, uncover more about William Byrd, his life and music.
John and Mary Cousen were early members of NEEMF who contributed greatly to the enjoyment of early music in the region, and more widely. This event will be open to all comers (A=440), whatever you sing or play and whether or not you knew John and Mary – just as long as you are prepared...
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
Five days of viol consort playing in a variety of group sizes with other players of an advanced level, and opportunities to study various afternoon 'options' including technical sessions, some lesser known repertoire and/or renaissance viols. Tutors: Alison Crum, Peter Wendland and Ibiz Aziz with John Bryan
Vocal ensembles, medieval music, renaissance wind ensembles, viol music, chamber music, lute tuition, early keyboard classes, and more!
Following on from the success of last year’s production of The Fairy Queen, this year’s course focuses on Henry Purcell’s King Arthur: a dramatic work based around the play of the same name by John Dryden. Tutors: Laurence Cummings, Bojan Čičić, Mark Caudle, Leo Duarte and Mary Collins
Sacred Music from Eighteen Century Rome - A workshop for SATB voices and bass instruments.
Summer school for recorders, viols, lutes and guitars, baroque strings, harpsichord and voices, with repertoire from early Renaissance to late Baroque.
Choir and vocal ensembles, baroque orchestra, recorder classes, chamber music, keyboard tuition, vocal tuition and more!
This residential course is for singers and players of renaissance instruments and has been running for many years. Booking opens January 2023.
Part of Cambridge Early Music's Summer Schools programme, this week will be the perfect opportunity to spend time with like-minded musicians, and to develop your skills under the guidance of a world-class team of tutors. Tutors: Clare Wilkinson, Giles Underwood, Jacob Heringman and John Bryan
An intensive five-day course for aspiring professional baroque instrumentalists.
For competent singers, viol and recorder players, covering music c1450-c1650. Deborah Catterall (Head Tutor, Vocal) Elizabeth Dodd (Viol, Renaissance Dance) Philip Gruar (Recorder) Hugh Cherry (Lute) Michael Piraner (Recorder)
Residential Baroque Music Summer School for baroque wind, string and continuo players and up to ten singers, but there are also opportunities for instrumentalists to sing.
An increasingly popular course for those interested in Baroque performance practice using modern instruments. Three experienced tutors in strings, wind and keyboard guide the course in a friendly and relaxed atmosphere! Tutors: Julia Bishop, Sophie Middleditch, David Pollock
A course designed for players of recorders, viols and other early instruments.
This course is about discovering the joy and genius of the Bach suites in an open lesson/masterclass format. Tutor: Jenny Curtis
Exploring the Common Grounds between early music, and its more formalised development, and the music of the people, embodied in traditional and folk music. Open to all singers & players of wind, string, plucked and keyboard instruments (folk, period & modern). Course pitch is A=440. Big recorders are especially welcome!
A baroque chamber music course at A415 predominantly for pre-formed groups, individual players are also welcome to apply.
Participants will learn the steps and skills needed to make their own oboe, English horn (Cor Anglais), or baroque oboe reeds.
Music from the Odhecaton - a workshop for instrumentalists.
‘A notorious swearer and blasphemer’ – the sad life and wonderful music of Thomas Weelkes. Singers in all voices are welcome, as are viols and recorders.
Fifteenth Century Medieval Dance, and Fifteenth Century Vocal Polyphony.
Singers and instrumentalists are invited to a “24 hour Drop-In” performance of MESSIAH at St. George’s Church, Hanover Square. Starting with AND THE GLORY OF THE LORD with whoever is there, working through the choruses until the end, then starting all over again and repeating this for 24 hours.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
Two workshops to mark the 400th anniversary of William Byrd’s death.
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants. Evening sessions for all are conducted and include music for instruments and voices.
Open to all non-professional musicians of any age, participants will have the opportunity to work on a piece of music in a friendly and supportive environment.
Elementary, Lower Intermediate, and Pre-formed Consorts.
Have fun with the Taborers at the International Pipe and Tabor Festival, featuring a Symposium, workshops, instruments, a concert, and processing and performing with morris and early dance.
Live workshop directed by John Hancorn on choruses from Bach’s B minor Mass, for singers and orchestra (i.e. appropriate instruments!). Pitch A=440.
Gabrieli and his contemporaries: how to play choral and instrumental music, a workshop for recorders (A = 440) with Polyphonica Recorder Trio.
A journey from England to Germany and Italy for violins, violas, cellos, double bass/violone, viols and theorbo.
The day is for string players, wind players, solo voice, and continuo, playing chamber music in various combinations.
This course is for all levels of ability and beginners are very welcome. As well as the violin family, support can also be given for making a rebec (an ancient ancestor of the violin).
This course provides the opportunity for: experienced viol players to hone their technical and musical skills, playing renaissance music on renaissance instruments, and players with varying levels of experience to play from facsimlles. The tutors are David Hatcher and Alison Kinder,
Missa Dominus Regnavit (for 4 choirs) by Lambert de Sayve.
Come and Sing Henrich Bieber’s Requiem in F Minor and Polychoral motets for choir, trombones and strings. A day of workshops and rehearsal leading to a concert performance in the evening.
A workshop for early and folk instrumentalists celebrating the 400th anniversary of composer John Playford, playing music from The English Dancing Master.
A day’s workshop for singers and instrumentalists focusing on music by William Byrd & Thomas Weelkes, alongside music by their English contemporaries.
This course is designed to open a door for you into a medieval world of single-line dance melodies and multi-voiced compositions for you to play on any kind of harp. Tutors: Carolin Margraf and Leah Stuttard.
Weekend workshop for singers and players exploring Missa scala Aretina for three choirs.
This course will teach you the the foundational skills and knowledge you need to explore the music and traditions of the early Irish harp at post-beginner level. Tutor: Alessia Bianchi.
A six-week course for all who struggle with performance nerves. You’ll learn what performance anxiety is, why it happens, and how you can use physical and mental tools to lessen the symptoms. Tutor: Dr Jennifer Mackerras.
Intermediate and Upper Intermediate.
Workshop for voices and instruments with the NEEMF AGM at lunchtime - further details TBC.
‘Lob, Ehr und Dank’ – sacred music by Johann Hermann Schein, for singers and instruments.
Make your own professional wooden recorder with expert recorder maker, Tim Cranmore.
A chance for experienced singers and players with good sight-reading skills to work on a collection of some of Handel’s most thrilling choruses, under the guidance of David Hatcher and Julia Bishop.
Workshop exploring polychoral music for grand occasions by Andrea & Giovanni Gabrieli, Giovanni Croce and Claudio Monteverdi (A=440). This is an “all comers” workshop for voices, wind, string, brass and continuo players.
Workshop for voices and instruments - details TBC.