London International Festival of Early Music 2023
Blackheath Concert Halls 23 Lee Road, LondonThe festival's 50th anniversary year.
The festival's 50th anniversary year.
Straus Missa Concertata in Echo - a workshop for voices and instruments.
Peter Phillips & contemporaries for singers and instrumentalists - details TBC.
Regina Caeli: Polychoral Motets for Mary. David Allinson will direct a live workshop on larger-scale works for voices and instruments.
A special and insightful online articulation class, led by not one, but two esteemed teachers: Lobke Sprenkeling and Michael Piraner! This unique joint class, combines two different perspectives on articulation to provide you with a comprehensive course.
Come and discover Medieval music with Mary Mohan and Jude Rees. Delve into the vast collection of Cantigas da Santa Maria, Medieval dance tunes, beautiful sacred music and more.
Tutors: Alison Crum, John Bryan, Peter Wendland, Ibi Aziz Three days of viol consort playing in preformed groups of any level, studying in depth any music chosen by the group, coached by members of the Rose Consort of Viols.
Messa La Luna Piena by Giuseppe Corsi da Celano, for singers and instruments.
Tutors: Alyson Lewin, Caroline Jones, Tabea Debus Benslow's Recorder Festival celebrates the recorder with ensemble, technique and orchestral sessions at elementary, intermediate and advanced levels.
Music on the theme of Angels and Shepherds in the Christmas story - a vocal and instrumental workshop with Philip Thorby. There will be music by Christoph Buehl, Hans Leo Hassler, Johann Hermann Schein and Agostini Soderini.
A day of seasonal fun led by Tricia Moores.
Christmas with the shepherds - The legacy of Jean Mouton's Quaeramus cum pastoribus.
With Lobke Sprenkeling's fascination and training in a multi-disciplinary approach to performance, and Michael Piraner's interest in the relationship between language and musical performance, you will learn ways to develop a rhetorical style of playing through a refined use of articulation.
Join Pam Smith on zoom for half-an-hour every morning on the run-up to Christmas for some beautiful medieval carols. You will need a treble and a tenor recorder (but feel free to play another instrument or sing if you want) and access to zoom. Pam will play one part from her music room and you...
Tutors: Emma Kirkby, Peter Harvey, Judy Tarling, Dionysios Kyropoulos. An opportunity for vocalists, string and continuo players to study the joys of Bach arias with renowned exponents of this repertoire.
‘A Musical Banquet’ – music from Banchetto Musicale by Johann Hermann Schein (1586-1630). All instruments are welcome. Pitch A=440.
This workshop is for singers of all voice types, plus cornetts, sackbuts, dulcians and string instruments. Recorder players are welcome, but should be prepared to also sing and/or play a different instrument. A = 440.
Playing for Dance - a workshop for instrumentalists led by Peter Barnard and Kate Billmore of de Mowbray's Musicke.
A talk by harpist Leah Stuttard, preceded by TVEMF AGM at 7.30pm. Talk - open to all; AGM - TVEMF members only.
Three days of viol consort playing in a variety of group sizes and exploring some lesser known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Theresa Caudle, Mark Caudle, Claire Williams, Stephen Preston.
The annual EEMF Epiphany party with Philip Thorby.
Advanced.
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, for wind and brass instruments: cornett, sackbut, shawm, dulcian, recorder (at 440) and crumhorn.
A course exploring the Real Roots! of European traditional and renaissance music, both the music and the instruments. The focus of the course will be playing 4 or 5 part harmony.
The workshop will include dances by Lorenzo Allegri written for entertainments at the Florentine court (c. 1612); a 16-part canzona by Tiburtio Massaino; Jubilate Deo in 16 parts by Lambert de Sayve, and Giovanni Gabrieli’s Canzona in echo a 12.
Anticipating Easter - Victimae Paschali settings for voices and instruments A=440.
Anna Stegmann is recorder professor at the Royal Academy of Music in London and a virtuosic performer on the recorder. She tutors on the Easter Early Music Course and at Jackdaws in Somerset. This workshop is open to all players of not only recorders but also renaissance wind instruments and viols. Anna will be exploring...
Renaissance Recycling – a workshop for all singers and instrumentalists led by Ali Kinder. This workshop will look at two examples of Renaissance Recycling, in both cases a kind of 'upcycling' from a short initial motet or chanson into an entire mass.
A workshop looking at choruses from a selection of Purcell's operas and also some 'surprise pieces'! Starting with separate groups for singers and instrumentalists, led by Michael Cameron-Longden and Lynne Hope, coming together in the afternoon.
South West Baroque Orchestra is the regional period instrument orchestra in the South West. Applicants are welcome to play for a rehearsal to try out the experience of baroque playing techniques.
Workshop with Ben England BEM for SATB voices and strings - Choruses from Vivaldi’s Gloria. A=415Hz.
The 2024 winter course focusses on the works of J. Sebastian Bach, with emphasis on the chorale preludes.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Fred Jacobs, Jacob Heringman, Lynda Sayce, Matthew Spring, Sara Stowe.
A sociable playing morning for viol players at all levels, working in small groups with players of similar experience, facilitated by Vickie Hobson and Philip Redfern.
Polychoral Music from the Polish Court of Sigismund III. A workshop for voices & instruments led by Eamonn Dougan.
South West Baroque Orchestra is the regional period instrument orchestra in the South West. Applicants are welcome to play for a rehearsal to try out the experience of baroque playing techniques.
Elementary, Lower Intermediate, Pre-formed Consorts.
'I am troubled on every side!': music by Tallis and his contemporaries, for singers and instruments (A=440). Details and Application Form
The aim of the day is to enjoy the rich and varied sonorities of a Renaissance Wind Band.
Includes videos of performances from the 2023 live festival, plus a vocal workshop and visit to Dodd Lutherie.
Tutors: Fernando Miguel Jalôto, Judy Tarling, Henrik Persson, Nick Shaw, Ricardo Barros. An inspiring opportunity to participate in a staged Baroque opera with amazing period costumes and scenery.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
Polyphony workshop for voices and instruments.
A workshop to give confident players, with good sight-reading skills and on modern or baroque instruments, the opportunity to hone their baroque playing technique.
A sociable playing morning for viol players at all levels, working in small groups with players of similar experience, plus coaching from Susanna Pell.
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way.
‘O What Evil is War’: War and Peace in 17th Century Germany, for all voices and specified instruments (A=440). Details and Application Form
A workshop for singers and players. Peter Syrus will direct his new programme of borrowings in Spanish church music of the Golden Age.
South West Baroque Orchestra is the regional period instrument orchestra in the South West. Applicants are welcome to play for a rehearsal to try out the experience of baroque playing techniques.
Recorder Workshop with Palisander Recorder Quartet, for intermediate to advanced recorder players in tutti and smaller ensemble sessions.
Singers and instrumentalists are invited to a “MESSIAH 24 hour Drop-In”. Starting at 3pm on the 25th with AND THE GLORY OF THE LORD and working through the choruses until the end. Then, starting all over again, and repeating for 24 hours. With conductors including John Rutter, Laurence Cummings, Ben England, Ralph Allwood, James Day,...
Tutors: Emily Ashton, Richard Boothby, Jon Rees, Joanna Levine. This course offers viol players the chance to explore the consort repertoire and improve their technique along the way.
Intermediate and Upper Intermediate.
A day of playing and singing some of the magnificent polychoral works by Andrea & Giovanni Gabrieli, led by Greg Skidmore and Sue Addison. Further details and application form can be found at www.sixteen85.co.uk.
The Festival includes a number of workshops - a mediaeval singing workshop with Leah Stuttard, a workshop for voices and instruments with Alison Kinder, a harpsichord workshop with Julian Perkins, and two recorder workshops with Annabel Knight.
Early Music Extravaganza on the Isle of Wight.
Workshop for singers in all voice ranges, and players of violins, cornetts, sackbuts, curtals, recorders (tenor downwards), viols or lutes.
Music and Ritual in a C16th Florentine Convent - a workshop for upper voices, viols, low recorders and organ.
Two parallel, friendly courses offering a variety of music for players at any level except beginners. For those who wish, there are opportunities to mix and match between the two courses.
JS Bach's Cantata BWV 4 'Christ lag in Todesbanden', for singers and instrumentalists, directed by Dr Stephen Muir.
South West Baroque Orchestra is the regional period instrument orchestra in the South West. Applicants are welcome to play for a rehearsal to try out the experience of baroque playing techniques.
* Postponed to 6th October 2024 in Little Chalfont - further details here* A workshop exploring the rich creative seam of the century’s most beloved songs - for voices and plucked strings.
Tutors: Jeremy West, Gareth Wilson Glorious renaissance polyphony for choir with historic brass.
Concerts, workshops and talks with the theme of Threads of Gold.
'The Compendium of Revelation' - further details will be available shortly on the SWEMF website.
A workshop on Baroque orchestral performance practice based on the writings of George Muffat with additional music by Corelli and Lully, directed by Julio Caballero of El Gran Teatro del Mundo, with Miriam Jorde oboe, Bruno Hurtadoviol, cello and Andrés Murillo violin. The workshop is open to players of Baroque oboe, traverso, bassoon, recorder and...
An un-tutored course for experienced singers and players of early instruments.
A workshop for voices, strings, keyboard, oboe, bassoon and recorders (alto or bass), continuo (inc bass viols), A=440.
Workshop for voices and instruments. Further details and booking forms will be available later.
A sociable playing morning for viol players at all levels, working in small groups with players of similar experience, facilitated by Vickie Hobson and Philip Redfern.
South West Baroque Orchestra is the regional period instrument orchestra in the South West. Applicants are welcome to play for a rehearsal to try out the experience of baroque playing techniques.
Polychoral music of the Renaissance & early Baroque, a workshop for singers in all voice ranges, and players of viols, cornetts, recorders (tenor downwards) & renaissance wind instruments (A=440).
Tutors: Theresa Caudle, Mark Caudle, Claire Williams. 18th century repertoire that would have been performed by the Dresden Hofkapelle, including works by Pisendel, Heinichen and Zelenka; scored for two oboes, bassoon and strings.
The Music of Marc’Antonio Ingegneri - a workshop for voices and instruments. Further details to follow.
Spanish and Latin American Renaissance Music - a Workshop for Voices and Instruments.
Straus Missa Concertata in Echo - for singers and instrumentalists (A=440). Includes BMEMF AGM. Booking now open via the BMEMF website,
Leading performers from the group will direct a series of workshops on 17th/18th century music, song, dance, commedia and costume making, with a particular emphasis on the English repertoire of this period.
This course is about discovering the joy and genius of the Bach suites in an open lesson/masterclass format.
The Herschel Players will coach a range of trio sonatas for combinations of baroque instruments: recorders, violins, oboes, flutes, viols, baroque cello, bassoon and harpsichord. Any appropriate repertoire can be represented: French, German, Italian and English. Tutors: Susanna Pell, Mie Hayashi, Graham O’Sullivan