A course directed by Patrick Craig in the historic Pembrokeshire port, centred on the six-part Requiem of the Portuguese composer Manuel Cardoso (c. 1566-1650), interspersed with funerary motets by other Portuguese composers
A workshop for voices and instruments with Greg Skidmore (I Fagiolini) - voices, and Sue Addison (His Majestys Sagbutts and Cornetts) - instruments. Music will depend on the number of singers (especially lower voices) and instrumentalists applying and will be decided upon nearer the time. Pitch is A=440.
This workshop, devised and directed by Nancy Hadden, celebrates the 500th anniversary of Palestrina's birth, featuring the richly expressive sacred music of Palestrina and his Roman contemporaries, Felice Anerio and Luca Marenzio. For voices, and instruments: viols, recorders, Renaissance flutes, cornetts, sackbuts, curtals.
Come and experience the thrill of singing in Benevoli's four-choir Missa Benevola, led by Robert Hollingworth.
JS Bach Cantata 118: O Jesu Christ, mein’s lebens Licht. JS Bach Cantata 146: Wir müssen durch viel Trübsal. JS Bach Motet BWV 230: Lobet den Herrn, alle Heiden.
Join the Croydon Bach Choir for an exhilarating workshop under the expert guidance of Music Director, Tim Horton. Open to singers of all levels who can follow a score.
Music of Protest from Renaissance Portugal - join popular tutor Rory McCleery for an exploration of this fascinating and beautiful repertoire, including plangently expressive motets and mass movements by Duarte Lobo, Manuel Cardoso and Estêvão Lopes Morago.
Dive into the polychoral grandeur of Venetian sacred music, characterised by cori spezzati and radiant harmonies, with Scott Inglis-Kidger (Director) and Ghislaine Morgan (Associate Musical Director).
'Consumed With Sorrow', a workshop singing a selection of Renaissance masterpieces including works by Josquin, Dufay, Ockeghem, Robert White and others, led by Angus Smith.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
A workshop for singers led by Robert Hollingworth, on the 4-choir Missa Benevola, by the 17th-century Franco-Italian composer Orazio Benevoli.
The music of Johannes Prioris, Palestrina and Josquin, for voices, viols, lower recorders and sackbuts. Lancaster.
Baroque Chamber Music Day (A=415) with Victoria Helby, for one-to-a-part singers as well as instrumentalists.
Ben England will direct music by Purcell for singers, strings, and continuo at baroque pitch (A=415).
Explore a variety of music inspired by The Sixteen’s own Choral Pilgrimage.
Glorious renaissance polyphony for choir with historic brass. Tutors: Jeremy West and Gareth Wilson.
This Chamber Weekender, directed by Scott Inglis-Kidger, will marry the sacred (Monteverdi Beatus Vir) with the profane (Strozzi Silentio nocivo); two sublime works, exploring rather different subject matter!
An un-tutored course for experienced singers and players of early instruments. Non-fixed ensembles of recorders and viols form the main part of the week with a variety of small singing groups depending on participants.
Join a consort of singers from Stile Antico in a wonderful session singing music from the Sistine Chapel.
Weelkes and Gibbons singing workshop with Tim Brown - details TBC.
Palestrina, Anerio and Victoria Marian music for the Feast of the Visitation.  A workshop for singers with Patrick Craig.
This course is for experienced singers who want to improve their choral technique and enjoy exploring a rich mix of repertoire in a convivial social setting. Musical Director: David Ogden.