This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
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Workshops
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How often do we play early music based on songs without the text present? This is very common for ensembles especially when playing 16th century music. Most of the music from this period arranged for recorders is vocal music but without the text present how do we know if it is true to the original... |
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1 event,Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists. |
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Following on from Trills in the Baroque for Recorder Players Part 1, this workshop provides fingerings, technical exercises to increase control, and examples in the context of standard recorder repertoire. |
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3 events,Missa Ave Virgo Sanctissima by Gery de Ghersem, and other pieces from 17th century Iberia, a workshop for voices with Rory Wainwright Johnston. Composers of the English Reformation. Katy will concentrate on John Sheppard and Robert Parsons who both composed in both English and Latin, in the traditions of Catholic polyphony and then wrote music for the new Protestant reforms.
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Explore some of the most popular tunes of the 14th-16th centuries with members of Blondel Medieval & Renaissance wind band. |
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A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe. |
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2 events,!A la Batalla! workshop for voices with Greg Skidmore and Sue Addison. This workshop will include a mass by Victoria – details to be announced nearer the time. With Victoria Helby - for baroque instruments (A=415) and solo singers. |
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