El Parnasso Hyspano - indigenous Latin American music workshop for singers and continuo, with tutors John Sloboda and Rafael Montero.
42 events found.
Workshops
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3 events,Members of the London Handel Orchestra, along with its Principal Conductor, Richard Gowers, will guide singers through some of Handel’s most radiant choral works and choruses from works performed across the Festival. Repertoire: Laudate pueri Dominum HWV 237 O come, let us sing HWV 253 Choruses from Saul and Ode for St Cecilia's Day Go4B'rque will meet under the direction of Philip Redfern to look at Rameau's 'Les Indes Galantes'. |
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Online workshop on the interpretation of baroque music for players of recorder and other instruments. This workshop will examine two movements of the Trio in G minor Opus 1 no. 3 for 3 recorders (flutes) by Johann Mattheson. |
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3 events,Schutz: Psalmen Davids workshop with Bill Carslake, for voices and instruments, A=440.
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Johann Sebastian Bach (1685-1750) - BWV 65 Sie werden aus Saba alle kommen - BWV 66 Erfreut euch, ihr Herzen (Choruses and chorales only) Directed by Scott Inglis-Kidger |
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5 events,Delve into music by Tim's favourite composer - JS Bach, together with other maestros of choral music in the impressive Grade 1 listed St Mary's Church in Whitkirk. Prophecies and visions: chromatic music of the 1540s-1570s. Music by Lasso, Vicentino, Rore and Marenzio. Mary, Mary, quite contrary - a workshop for singers and players looking at music for Mary, Mother of Jesus, and music for Mary Magdalen.
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This workshop, led by Sophia Mucke (Schola Cantorum Basiliensis and Royal Academy of Music, London) and Dr Oliver Doyle, will be an introduction to the history, theory, and practice of the Guidonian Hand and Solmisation. This workshop is open to all, whether you would like to join in or observe. Being able to read music...
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A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe. |
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Did trills in the baroque always start on the note above the written note? This online workshop gives some simple examples of where to place trills and how to execute them dispelling the myth that trills in the baroque always started on the note above the main note. |
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Take a ride on the Victoria Line as we enjoy an afternoon of motets by Tomás Luis de Victoria, the leading Spanish composer of the late Renaissance and a central figure in sacred music of the Counter-Reformation. Educated in Rome and closely associated with the Jesuit order, his music is known for its clarity of... |
2 events,From Despair to Joy: Holy Week with Tomás Luis de Victoria, a choral workshop led by David Allinson. Music and Ritual in a 16th Century Florentine Convent - Workshop for SA voices, Viols and low recorders led by Laurie Stras. |
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2 events,This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting. Workshop of early music with South American links with El Parnaso Hyspano, for voices and continuo. Contact Janet Tanburn janetmtanburn@gmail.com for further details. |
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How often do we play early music based on songs without the text present? This is very common for ensembles especially when playing 16th century music. Most of the music from this period arranged for recorders is vocal music but without the text present how do we know if it is true to the original... |
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