Early Music Forum Scotland Choir
The EMFS Choir will meet under the direction of Michael Cameron-Longden to sing some seasonal Christmas music. Mince pies and nibbles will be provided!
The EMFS Choir will meet under the direction of Michael Cameron-Longden to sing some seasonal Christmas music. Mince pies and nibbles will be provided!
Tackle one of the best Christmas pieces written - Corelli's magnificent Concerto Grosso in G minor, the Christmas Concerto - under the direction of Philip Redfern. All modern string players...
For centuries Christmas and the surrounding seasons have inspired composers to new heights of invention. The repertoire chosen for this course will reach across the ages: from the eternal beauty...
One singer's life in 16th-century England, talk on Zoom by Dr. Kerry McCarthy (open to everyone) at 7.30pm, followed by TVEMF AGM (TVEMF members only) at 8.30pm.
Workshop for voices and instruments at A=440 with David Hatcher.
Bring vocal and instrumental Renaissance works to life in this ensemble performance workshop for winds – cornetts, curtals, recorders, sackbuts and shawms – and string players, with continuo very welcome...
Anthems and Madrigals by Dr Orlando Gibbons and his son, Christopher. The day will be hosted by James Geer, the LCC Music Director, with Colin Hughes on piano. The fee...
Come & Sing works by Dowland, Weelkes & Copriario with City Chamber Choir, led by Stephen Jones.
A party in Ausburg - music of the early 16th century German Town and Dance bands - a workshop for instruments at A=440 pitch.
Come and Sing/Play Handel: Dixit Dominus and C P E Bach: Magnificat with Director: Richard Roddis, Répétiteur: Michael Overbury, and Instrumental Specialist: Kelly McCusker.
Three days of viol consort playing in a variety of group sizes and exploring some lesser-known repertoire in addition to ‘old favourites’. Tutors: Alison Crum, Peter Wendland.
Zoom Talk given by Patrick Craig on Orlando Gibbons and the Music of Westminster Abbey.
Inspirational and encouraging instruction in baroque style from expert tutors. For pre-formed chamber groups on period instruments. Tutors: Rachel Beckett, Theresa Caudle, Mark Caudle, Claire Williams, Oliver John Ruthven.
Mass settings by early Tudor composers based on Westron Wynde, including Taverner’s exuberant Gloria, Tye’s angelic Sanctus and Sheppard’s luminous Agnus Dei.
This Come & Sing day is part of Levens Choir's early preparations for performances of this sublime choral work in March, 2027, to celebrate its first performance 300 years ago. ...
Explore the rich and varied repertoire of musicians from court and city in the late 16th and early 17th centuries, with William Lyons & Richard Thomas.
Come and Sing Handel's Messiah with Nantwich Choral Society.
William Byrd and his Circle with Sally Dunkley.
The workshop features Bach’s Cantata Die Himmel erzählen die Ehre Gottes (BWV 76), part of the Leipzig Cantata Cycle which also enthralled last year’s workshop attendees, and extracts from the...
This workshop, led by Dr Christopher Roberts, will explore Zelenka’s Kyrie, Sanctus and Agnus Dei in D minor ZWV26 (c.1723) and Gloria in F major ZWV30 (1724), and is open...
The workshop will focus on the music of Giovanni Croce, a leading Venetian composer of his day. Open to all singers and cornetts, sackbuts, curtals/dulcians, recorders, viol and violin family,...
Preformed Consorts. Run by Jacqui Robertson-Wade and Alison Kinder.
Spend the afternoon with Early music specialist, Scott Inglis-Kidger, who will lead you through a selection of Tallis’s sacred works written in the turbulent years following the English Reformation.
An Early Music Love Affair - a workshop for voices and instruments with Lisa Colton. This workshop is a joint venture with the University of Liverpool, and is designed to...
What better subject could there be for St Valentine's Day than love - sacred and profane and all stages in between? Join EEMF in Beccles on February 14th for a...
This workshop will introduce you to seasonal medieval chant (including the tract Jubilate Domino, and one of the Old Hispanic Lamentations chants), together with 13th-century polyphony. All voice parts welcome.
The EMFS Choir will meet at Polwarth Parish Church under the direction of Michael Cameron-Longden to look at some songs by John Dowland.
Non-residential study weekend directed by Philip Walsh.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Real Roots! Exploring the world of late 16th-century popular music. The core of the programme will consist of playing in a mixture of large and small ensembles, as well as...
JS Bach: Choruses from the Christmas Oratorio with Philip Thorby, for singers and baroque orchestra (A=415).
This course offers viol players the chance to explore consort repertoire from the viol’s Golden Age and to improve their technique along the way, with Joanna Levine and Richard Boothby...
For pre-formed chamber groups (with or without singer) who should bring at least 4 pieces to work on which can be at varying stages of readiness.
El Parnasso Hyspano - indigenous Latin American music workshop for singers and continuo, with tutors John Sloboda and Rafael Montero.
Members of the London Handel Orchestra, along with its Principal Conductor, Richard Gowers, will guide singers through some of Handel’s most radiant choral works and choruses from works performed across...
Go4B'rque will meet under the direction of Philip Redfern to look at Rameau's 'Les Indes Galantes'.
Online workshop on the interpretation of baroque music for players of recorder and other instruments. This workshop will examine two movements of the Trio in G minor Opus 1 no....
Advanced. Run by Jacqui Robertson-Wade and Alison Kinder.
Plenty of opportunities to play at all levels of ability, and to socialise with like-minded early music enthusiasts. Tutors: Bor Zuljan, Peter Croton, Jacob Herringman, Lynda Sayce, Matthew Spring, Sara...
Schutz: Psalmen Davids workshop with Bill Carslake, for voices and instruments, A=440.
Choruses from Dido and Aeneas (Purcell) for voices and strings.
Johann Sebastian Bach (1685-1750) - BWV 65 Sie werden aus Saba alle kommen - BWV 66 Erfreut euch, ihr Herzen (Choruses and chorales only) Directed by Scott Inglis-Kidger
Alonso Lobo ~ De lamentatione Ieremiæ Prophetæ Duarte Lobo ~ Missa pro defunctis 8 vocibus A week of study and rehearsal leading to a public performance in Cádiz.
Delve into music by Tim's favourite composer - JS Bach, together with other maestros of choral music in the impressive Grade 1 listed St Mary's Church in Whitkirk.
Prophecies and visions: chromatic music of the 1540s-1570s. Music by Lasso, Vicentino, Rore and Marenzio.
Mary, Mary, quite contrary - a workshop for singers and players looking at music for Mary, Mother of Jesus, and music for Mary Magdalen.
This workshop, led by Sophia Mucke (Schola Cantorum Basiliensis and Royal Academy of Music, London) and Dr Oliver Doyle, will be an introduction to the history, theory, and practice of...
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
Did trills in the baroque always start on the note above the written note? This online workshop gives some simple examples of where to place trills and how to execute...
Take a ride on the Victoria Line as we enjoy an afternoon of motets by Tomás Luis de Victoria, the leading Spanish composer of the late Renaissance and a central...
From Despair to Joy: Holy Week with Tomás Luis de Victoria, a choral workshop led by David Allinson.
Music and Ritual in a 16th Century Florentine Convent - Workshop for SA voices, Viols and low recorders led by Laurie Stras.
Workshop of early music with South American links with El Parnaso Hyspano, for voices and continuo. Contact Janet Tanburn janetmtanburn@gmail.com for further details.
This popular and highly acclaimed course provides an excellent opportunity for experienced players of viols and recorders to work on early music in a chamber setting.
How often do we play early music based on songs without the text present? This is very common for ensembles especially when playing 16th century music. Most of the music...
Be part of a fully staged historically informed staging of Rameau’s one-act acte de ballet Pygmalion, working from first rehearsal to public performance in six days under the guidance of...
Make new friends in a week of singing and sightseeing in historic, beautiful Malta. The week is aimed at keen singers who enjoy a challenge. The course will be led...
Explore and deepen your knowledge of a range of baroque choruses and be part of a fully staged historically informed performance of Rameau’s Pygmalion on this Opera Project companion course...
Repertoire: Très Élégant, the music of Marc-Antoine Charpentier. Workshop for instrumentalists.
A fun and inclusive introduction to playing and singing medieval repertoire for all instrumentalists and singers. Explore the wealth and variety of musical timbres and textures found in music of...
Following on from Trills in the Baroque for Recorder Players Part 1, this workshop provides fingerings, technical exercises to increase control, and examples in the context of standard recorder repertoire.
Missa Ave Virgo Sanctissima by Gery de Ghersem, and other pieces from 17th century Iberia, a workshop for voices with Rory Wainwright Johnston.
Composers of the English Reformation. Katy will concentrate on John Sheppard and Robert Parsons who both composed in both English and Latin, in the traditions of Catholic polyphony and then wrote...
Explore some of the most popular tunes of the 14th-16th centuries with members of Blondel Medieval & Renaissance wind band.
Music for renaissance winds with Tim Bayley.
A London-based music club who meet once a month to sing repertoire from the Elizabethan and Jacobean eras from Britain and Europe.
An inclusive course for all to experience Gregorian chant in a friendly, entertaining, informative and enjoyable context. A shared exploration of its music and cultural history, works towards daily performances...
This course will explore the early history of the solo Sonata, from the era of Merula and Fontana through to Bach and Handel. Participants will study the arts of melody,...
!A la Batalla! workshop for voices with Greg Skidmore and Sue Addison. This workshop will include a mass by Victoria – details to be announced nearer the time.
With Victoria Helby - for baroque instruments (A=415) and solo singers.
A course in one of Scotland’s most famous churches, centred on the music of Vincente Lusitano (c.1520-1561), a Portuguese composer of African descent.
Bristol's Early Music Festival, with concerts, exhibits, workshops, and more...
An immersive exploration of lute songs from around 1600 in Northern Europe - centred on John Dowland’s best-beloved "First Book of Songes", but also welcoming repertoire from lands that he...
This upper-voice (SSA/SSAA) ensemble singing weekend, led by Rory Wainwright Johnston, is built around detailed, small-ensemble choral work, drawing on repertoire from the early Baroque through to the present day.
Non-residential study weekend directed by Philip Walsh.
Intermediate and Upper Intermediate. Run by Jacqui Robertson-Wade and Alison Kinder.
Early Music Extravaganza on the Isle of Wight - includes concerts, workshops, talks, and more!
Music Director: Tim Horton, Piano: William Munks. A choral workshop with free public performance.
Come and sing the choruses from Vivaldi’s momentous Gloria in D major, and learn about the fascinating history of this work. For voices, oboe, trumpet, strings and continuo.
La Fèsta de ƚa Sènsa: Venetian Music for Ascension - a workshop for singers and instrumentalists.
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